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Observations Cup-shaped and Other Lapidarian Sculptures. The Old World and in America
Reprint of the original, first published in 1881.
Push Me, Pull You
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional exper...
Courage and Grief
Courage and Grief illuminates in a nuanced fashion Sweden’s involvement in Europe’s destructive Thirty Years’ War (1618–48). Focusing on the various roles women performed in the bloody and extended conflict, Mary Elizabeth Ailes analyzes how methods of warfare and Swedish society were changing in profound ways. This study considers the experiences of unmarried camp followers and officers’ wives as well as peasant women who remained in the countryside during times of conflict and upheaval. Women contributed to the war effort in a variety of ways. On campaign they provided support services to armies in the field. On the home front they helped to minimize disruptions incurred within their frayed communities. As increasing numbers of men left to fight overseas, women took over local economic activities and defended their families’ interests. Such activities significantly altered the fabric of Swedish society. Examining women’s wartime experiences in the Thirty Years’ War enhances our understanding of women’s roles in society, the nature of female power and authority, and the opportunities and hardships that warfare brought to women’s lives.
Dictatorship
Now available in English for the first time, Dictatorship is Carl Schmitt’s most scholarly book and arguably a paradigm for his entire work. Written shortly after the Russian Revolution and the First World War, Schmitt analyses the problem of the state of emergency and the power of the Reichspräsident in declaring it. Dictatorship, Schmitt argues, is a necessary legal institution in constitutional law and has been wrongly portrayed as just the arbitrary rule of a so-called dictator. Dictatorship is an essential book for understanding the work of Carl Schmitt and a major contribution to the modern theory of a democratic, constitutional state. And despite being written in the early part of the twentieth century, it speaks with remarkable prescience to our contemporary political concerns.
