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A 2004 selection of songs of praise and songs for choral performances composed by Bacchylides (c. 520-450 BC).
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Anne Burnett shows us the art of Bacchylides in the context of Greek lyric traditions. She discusses the beginnings of choral poetry and the functions of the choral myth; she describes the purposes of the victory song in particular and the practices of Bacchylides and Pindar as they fulfilled their victory commissions. In analyzing individual poems Burnett's approach is two-fold, for each ode is seen as a choral performance reflecting archaic cult practice, while it is also studied as the expression of a particular poetic vision and sensibility. Thus the formal elements of the Bacchylidean victory songs are recognized as the response of a chorus which must give semi-religious praise to a noble athlete or prize-winning prince in times of increasing democracy. At the same time an artistry and an ethic peculiar to Bacchylides are discovered in the manipulation of fictions and mythic materials.
In this landmark collection of essays, renowned classicist Charles Segal offers detailed analyses of major texts from archaic and early classical Greek poetry; in particular, works of Alcman, Mimnermus, Sappho, Pindar, Bacchylides, and Corinna. Segal provides close readings of the texts, and then studies the literary form and language of early Greek lyric, the poets' conception of their aims and their art, the use of mythical paradigms, and the relation of the poems to their social context. A recurrent theme is the recognition of the fragility and brevity of mortal happiness and the consciousness of how the immortality conferred by poetry resists the ever-threatening presence of death and oblivion, fixing in permanent form the passing moments of joy and beauty. This is an essential book for students and scholars of ancient Greek poetry.
Until a century ago, the fifth-century Greek poet Bacchylides was known only by 107 nonsequential lines buried as quotations in the writings of other ancient authors. With the discovery in 1896 of a papyrus containing his work, 1,382 lines were reassembled and the poems of Bacchylides finally began to take shape for the modern reader. Slavitt argues in the Introduction to this collection that, although Bacchylides is often considered a "lesser Pindar," he is a poet who warrants consideration. "He deserves attention not because he is beetling, like Pindar, but because he is not. He relies on craftsmanship and reliably displays an attractive grace and elegance."
An original and wide-ranging study of the Greek lyric poet Bacchylides, exploring his engagement with poetic tradition and evaluating the complex relationship of the poetry to its multiple contexts of performance.
Presents the victory poems of the Greek lyric poet Bacchylides. This translation captures the tone of the original, combining the joy of the occasion with the ever-present serious moral undertones, while the introduction sets the poems in their social and religious context, detailing the connection between competition and religious festival.