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Wittgenstein's dictionary for children: a rare and intriguing addition to the philosopher's corpus, in English for the first time "I had never thought the dictionaries would be so frightfully expensive. I think, if I live long enough, I will produce a small dictionary for elementary schools. It appears to me to be an urgent need." -Ludwig Wittgenstein In 1925, Ludwig Wittgenstein, arguably one of the most influential philosophers of the 20th century, wrote a dictionary for elementary school children. His Wörterbuch für Volksschulen (Dictionary for Elementary Schools) was designed to meet what he considered an urgent need: to help his students learn to spell. Wittgenstein began teaching kid...
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at la...
Artist Carroll Dunham (b. 1949) is one of the most acclaimed and innovative painters of his generation. But he is also an astute writer who has engaged with a wide variety of artists in the form of reviews, catalog essays, and interviews. Collected here for the first time, Into Words reveals the true depth of Dunham's writing. From reviews of Pablo Picasso and Jasper Johns to a gonzo Peter Saul interview, to an appreciation of Kara Walker's films and reflections on his own practice, Dunham writes about what is made and why it matters with real wit and candor. Into Words is an invaluable reader for anyone interested in contemporary art and culture. With an introduction by Scott Rothkopf, chief curator of the Whitney Museum of American Art, and a publisher's foreword by Paul Chan.
The work of Paul Chan (born 1973) has charted a course in contemporary art as unpredictable and wide-ranging as the thinking that grounds his practice. Paul Chan: Selected Writings 2000-2014 collects the critical essays and artist's texts that first appeared in Artforum, October, Texte zur Kunst and Frieze, among other publications, as well as previously unpublished speeches and language-based works. From the comedy of artistic freedom in Duchamp to the contradictions that bind aesthetics and politics, Chan's writings revel in the paradoxes that make the experience of art both vexing and pleasurable. He lays bare the ideas and personalities that motivate his work by reflecting on artists as diverse as Henry Darger, Chris Marker, Sigmar Polke and Paul Sharits, and grapples with writers and thinkers who have played decisive roles in his practice, including Theodor Adorno, Samuel Beckett and the Marquis de Sade.
One of Plato's most controversial dialogues, Hippias Minor details Socrates's confounding arguments that there is no difference between a person who tells the truth and one who lies, and that the good man is the one who willingly makes mistakes and does wrong and unjust things. But what if Socrates wasn't championing the act of lying-as it has been traditionally interpreted-but, rather, advocating for a novel way of understanding the power of the creative act? In this exceptional translation by Sarah Ruden, Hippias Minor is rendered anew as a provocative dialogue about how art is a form of wrongdoing, and that understanding it makes life more ethical by paradoxically teaching one to be more cunning. An introduction by artist Paul Chan situates Hippias Minor in a wider philosophical and historical context, and an essay by classicist Richard Fletcher grapples with the radical implications of this new translation in light of Chan's work and contemporary art today.
An unnamed narrator's life at Yale takes a dizzying turn when she meets a girl who looks just like her. Drawn into each other's social worlds, they spiral deeper and deeper into a house of mirrors made of each other.
How To Train Your Virgin by Wednesday Black is the first installment of New Lovers, a series of short erotic fiction published by Badlands Unlimited.The queen of a mythical realm realizes that her king now prefers the bodies of inexperienced human virgins to her own. His insatiable appetite threatens the kingdom and everything the queen holds dear.She plots to seduce and deflower the two humans the king favours, but her plans back fire in spectacular fashion. What will become of her marriage? Her kingdom? Her virgins?How to Train Your Virgin is a high-spirited romp through a fantastic world populated by centaurs, ghosts and something called an 'inside-out man'. Imagine Game of Thrones and La...
From her work in dance and choreography to her films and writings, Yvonne Rainer (born 1934) has established herself as one of the America's greatest living artists. This first collection of her poems, which were written from the late 1990s onwards and have never before been published, affirms her ability to endow words with corporeality, propulsion and swift-moving narrative. Full of wit and candor, Rainer's poems evoke the rhythm of an urban landscape peopled with old friends and colleagues, trying to make art or simply trying to make ends meet. Memories entangle with news headlines and conversations overheard on the subway, making the poems feel both intimate yet social. Accompanying the poems is a selection of black-and-white images curated by Rainer, varying from news clippings to intimate photographs from Rainer's personal archive. Poet and critic Tim Griffin contributes an introduction.