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The Politics of Time
As we enter the third decade of the twenty-first century, the world is undergoing a major historical shift: Africa, and the Global South more generally, is increasingly becoming a principal theatre in which the future of the planet plays itself out. But not only this: Africa is at the same time emerging as one of the great laboratories for novel forms of social, economic, political, intellectual, cultural, and artistic life. Often arising in unexpected places, these new forms of life materialize in practices that draw deeply from collective memory while simultaneously assuming distinctly contemporary, even futuristic, guises. In November 2017, the second session of the Ateliers de la pensée...
Phenomenology in an African Context
African phenomenology is an emerging subfield within the broader domain of African and Africana philosophy. The phenomenological method, with its various approaches to studying the seminal structures and meaning of human experience, has been a cornerstone in the thought of African philosophers such as Paulin Hountondji, Tsenay Serequeberhan, Achille Mbembe, D. A. Masolo, and Mabogo More, as well as proponents of Africana philosophy such as W. E. B. Du Bois, Frantz Fanon, Lucius Outlaw, and Lewis Gordon. Technically, however, the term "African phenomenology" is not used as widely, or introduced as systematically, as Africana phenomenology. This anthology aims to fill this gap by exploring con...
To Write the Africa World
In October 2016, thirty intellectuals and artists from Africa, its diasporas, and beyond gathered together in Dakar and Saint-Louis, Senegal, to reflect on the present and future of Africa in the midst of transformations that are sweeping through the contemporary world. The aim was to take stock of the renewal of Afro-diasporic critical thought and to discuss the new perspectives emerging from the ongoing projects constructing political, cultural, and social imaginaries for and from the African continent. This book brings together and makes available to the English-speaking world the material presented at the 2016 Ateliers de la pensée – Workshops of Thought – in Dakar. The authors deal...
African Philosophy for the Twenty-First Century
In Africa, the twenty-first century began with new challenges surrounding and regarding philosophical discourses. Questions of economic and political liberation, the displacement of populations and the process of urbanization present ongoing challenges, linked to problems such as endemic diseases and famine, the restructure of the traditional family, gender and the position of women, the transmission of culture from past to future generations. Changes in labor relations resulting from introduction of financial speculation, cutting edge technologies, and differential access to digital and older cultural forms have placed real demands on Africans and Africanists working in philosophy. This vol...
African Cinema: Manifesto and Practice for Cultural Decolonization
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
Decolonial Aesthetics I
The publication aims to make suggestions for a 'decolonisation of aesthetics' within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive manœuvres at the borders and their photographic documentation, and many more.
The Routledge Handbook of Phenomenology and Phenomenological Philosophy
Phenomenology was one of the twentieth century’s major philosophical movements, and it continues to be a vibrant and widely studied subject today with relevance beyond philosophy in areas such as medicine and cognitive sciences. The Routledge Handbook of Phenomenology and Phenomenological Philosophy is an outstanding guide to this important and fascinating topic. Its focus on phenomenology’s historical and systematic dimensions makes it a unique and valuable reference source. Moreover, its innovative approach includes entries that don’t simply reflect the state-of-the-art but in many cases advance it. Comprising seventy-five chapters by a team of international contributors, the Handboo...
Afrotopia
A vibrant meditation and poetic call for an African utopian philosophy of self-reinvention for the twenty-first century In the recent aftermath of colonialism, civil wars, and the AIDS crisis, a new day finally seems to be shining on the African continent. Africa has once again become a site of creative potential and a vibrant center of economic growth and production. No longer stigmatized by stereotypes or encumbered by the traumas of the past—yet unsure of the future—Africa has other options than simply to follow paths already carved out by the global economy. Instead, the philosopher Felwine Sarr urges the continent to set out on its own renewal and self-discovery—an active utopia t...
Brutalism
In Brutalism, eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic. Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.
Bildgeschehen: Post-strukturalistische Entfaltungen von Husserls Phänomenologie des Bildbewusstseins
Dieses Buch geht von der Frage aus, wie Bilder erscheinen und in ihrem Geschehen als Bild auf etwas hinweisen, das mit dem Phänomen selbst nicht zusammenfällt. Es wendet sich zunächst Husserls Analysen zum Bildbewusstsein zu und zeigt anhand einiger seiner Anmerkungen, wie in post-strukturalistischen Ansätzen und ihren Wirkungen im Denken von Jacques Derrida, Gilles Deleuze, Roland Barthes, Hubert Damisch und Georges Didi-Huberman die Bildphänomenologie entfaltet oder verschieben wird. Zuerst lassen sich mit Jacques Derridas dekonstruktivem Denken in seinen intertextuellen Hinweisen auf Husserls Phänomenologie sowohl Beiträge der Phänomenologie zum Bildgeschehen als auch deren Grenze...
