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Alev Ebüzziya Siesbye’nin kişisel sergisi Tekerrür için hazırlanan kitap, serginin küratörü Eda Berkmen’in “Başlangıçta” başlıklı yazısıyla açılıyor. Sanatçının 2019’da ürettiği siyah, gri ve lapis mavisi çanaklardan oluşan serginin yayınına, akademisyen ve seramik sanatçısı Nermin Kura’nın Alev Ebüzziya’nın pratiği üzerine kaleme aldığı yazısı eşlik ediyor. Yayında, sanat tarihçisi Ali Kayaalp’in sanatçının eserlerinin işlev, temas, renk gibi forma dair özelliklerini işlediği yazısının yanında yazar ve sanatçı Abidin Dino’nun 1982 yılında kaleme aldığı bir metin de yer alıyor. Tasarımını Ayşe Bozkurt’un üstlendiği kitaba Hadiye Cangökçe ve flufoto (Barış Aras ve Elif Çakırlar) tarafından çekilen fotoğrafların yanı sıra sanatçının arşiv fotoğrafları da eşlik ediyor.
İÇİNDEKİLER TURİZM İLETİŞİMİNDE YENİ YAKLAŞIMLAR Yusuf BAYRAKTAR TURİZM VE HALKLA İLİŞKİLER Fatma GEÇİKLİ KÜLTÜRLERARASI İLETİŞİM VE TURİZM Sait Sinan ATILGAN TURİZM İŞLETMLERİNDE RENKLERLE İLETİŞİM Fatma BAŞAR TURİZM İŞLETMELERİNDE MOBİL UYGULAMALAR Makbule CİVELEK TURİZMDE DİJİTAL PAZARLAMA İLETİŞİMİ Bahar TÜRKAY TURİZMDE ELEKTRONİK AĞIZDAN AĞIZA İLETİŞİM Ahmet Ziya BAŞCI TURİZM İLETİŞİMİNDE ONLINE ÖNERİ VE ŞİKÂYET SİTELERİNİN ÖNEMİ Özlem ALTUN – Mete Ünal GİRGEN TURİZM İŞLETMELERİNDE WEB SİTE KULLANIMI Fatma AKAR AKILLI TURİZM İLETİŞİMİ VE UYGULAMALARI Göksu DEMİRCAN SOSYAL MEDYA VE TURİZM Gökhan İLHAN TURİZMDE MARKALAŞMA Muhammed Emin ERDOĞAN TURİZM SEKTÖRÜNDE MOBBİNG İbrahim ÇETİNTÜRK SİNEMADA YEMEĞİN GÖSTERGEBİLİMSEL ANALİZİ Samuray Hakan BULUT
Türkay, Osman, 1927-; poems.
Geospaces is an extended visual essay of ideas, images, drawings and projects that follows the work of Alper Derinboğaz over the past decade, framing an approach to architecture based on empathy with earth. Architectural history is a fragment of the long evolution of forms of habitat. The shape of the lands and the way we inhabit them are at the root of all architectural endeavors. However, our established conception of architecture is based on a hierarchy between nature and culture. To move towards an architecture more in tune with earth, we need to think in continuities, looking at the emergence of natural forms, the history of human inhabitation and the future of fabrication technologies. What if we see buildings as iterations of nature rather than artificial objects? Exploring architecture through the lens of evolution, Geospaces traces relationships between topography, geology, genetics, ecologies, and construction technologies, arguing that a hybrid approach to making will shape our future habitats.
The book published on the occasion of Alev Ebüzziya Siesbye's solo exhibition titled Repetition begins with the article "In the Beginning" by Eda Berkmen, the curator of the exhibition. The publication of the exhibition, which consists of the grey, black and lapis blue vessels produced by the artist in 2019, is accompanied by an article written by academician and ceramic artist Nermin Kura on the practice of Alev Ebüzziya. The publication also features a text by art historian Ali Kayaalp about the characteristics of the artist's production of form such as utility, touch, colour and an essay by writer and artist Abidin Dino from 1982. Designed by Ayşe Bozkurt, the publication includes photographs taken by Hadiye Cangökçe and flufoto (Barış Aras and Elif Çakırlar) as well as archival images.
A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, p...
This book aims to provide theoretical and empirical frameworks and highlights the challenges and solutions with using Big Data for Corporate Social Responsibility (CSR) and Sustainability in the field of digital transformation and tourism. Sustainability, Big Data, and Corporate Social Responsibility: Evidence from the Tourism Industry offers a theoretical and empirical framework in the field of digital transformation and applies it to the tourism sector. It discusses Big Data used with CSR and sustainability for the improvement of innovation and highlights the challenges and prospects. It presents a modern insight and approach for use by decision-makers as an application to solve various problems and explores how data collection can shed light on consumer behavior making it possible to account for existing situations and plan for the future. This book is intended to provide a modern insight for researcher, students, professionals, and decision-makers on the application of Big Data to improve CSR and sustainability in the tourism sector.
Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.