You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book offers a new perspective on the "otherworlds" of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music, and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be--the land of heart's desire--but, the otherworld can also have a sinister side, ...
A revelatory portrait of Britain through its islands, The Britannias weaves history, myth, and travelogue to rewrite the story of this “island nation.” From Neolithic Orkney, Viking Shetland, and Druidical Anglesey to the joys and strangeness of modern Thanet, The Britannias explores the farthest reaches of Britain’s island topography, once known by the collective term “Britanniae” (the Britains). This expansive journey demonstrates how the smaller islands have wielded disproportionate influence on the mainland, becoming the fertile ground of political, cultural, and technological innovations that shaped history throughout the archipelago. In an act of feminist inquiry, personal ad...
The question of the extent of Gaelic influence on medieval Icelandic literature and culture has fascinated scholars for many years, especially the possible relationship between Irish voyage literature and Icelandic narratives concerning journeys to the Otherworld. This book provides a fresh examination and reappraisal of the topic. It compares the Irish [i]immrama[/i] ‘voyages’, including the greatly influential Hiberno-Latin text [i]Navigatio Sancti Brendani[/i] ‘The Voyage of Saint Brendan’, and [i]echtrai[/i] ‘otherworld adventures’ with the Icelandic [i]fornaldarsögur[/i] and related material, such as the voyages of Torkillus in Saxo’s [i]Gesta Danorum[/i]. It also assesses stories about Hvítramannaland, touches on similarities in folk narratives and examines the influence of Classical and Christian literature on the tales. In conclusion, the book makes proposals to account for the parallels and differences between the two traditions and is accompanied by an extensive bibliography and several indices.
This multi-disciplinary volume draws on the combined expertise of specialists in the history and literature of medieval Ireland, Iceland, Norway, and Scotland to shed new light on the interplay of Norse and Gaelic literary traditions. Through four detailed case-studies, which examine the Norwegian Konungs skuggsja, the Icelandic Njals saga and Landnamabok, and the Gaelic text Baile Suthach Sith Emhna, the volume explores the linguistic, cultural, and political contacts that existed between Norse and Gaelic speakers in the High Middle Ages, and examines the impetus behind these texts, including oral tradition, transfer of written sources, and authorial adaptation and invention. Crucially, the...
None
SHORTLISTED FOR THE EDWARD STANFORD TRAVEL BOOK OF THE YEAR 'A dazzlingly brilliant book' Hannah Dawson 'Fascinating, often exhilarating ... Albinia is an intrepid, imaginative guide' TLS The Britannias tells the story of Britain's islands and how they are woven into its collective cultural psyche. From Neolithic Orkney to modern-day Thanet, Alice Albinia explores the furthest reaches of Britain's island topography, once known (wrote Pliny) by the collective term, Britanniae. Sailing over borders, between languages and genres, trespassing through the past to understand the present, this book knocks the centre out to foreground neglected epics and subversive voices. The ancient mythology of i...
In der bisherigen Forschung ist wiederholt die Frage aufgeworfen worden, ob die Paradiesgefilde des Ódáinsakr und der Glæsisvellir der mittelalterlichen isländischen Mythologie auf keltische Einflüsse zurückgehen, und wie genau diese Einflüsse zu fassen und sozial und historisch einzuordnen sind. Um diese Fragen zu beantworten, arbeitet das Buch die nordischen Zeugnisse vollständig auf; neben literarischen werden dabei auch folkloristische Quellen und archäologische Befunde berücksichtigt. Nach der Analyse dieses Materials wendet sich die Studie dem keltischen Vergleichsmaterial zu: der arthurischen Literatur, der irischen Literatur und antiken keltischen Zeugnissen. Die vergleichende Analyse dieses breit gestreuten Materials zeigt, dass der Ódáinsakr/Glæsisvellir-Komplex in der Tat von keltischen Überlieferungen nicht zu trennen ist. Die unmittelbare Quelle für die zugrundeliegenden Einflüsse ist dabei wohl nicht in der arthurischen Literatur oder gar der keltischen Antike, sondern in der volkssprachlichen Überlieferung des wikingerzeitlichen Irland zu suchen. Von dort scheint der Motivkomplex während der Landnahmezeit nach Island gelangt zu sein.