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Music in the Balkans
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
Entangled Histories of the Balkans - Volume One
The authors in this volume seek to treat the modern history of the Balkans from a transnational and relational perspective in terms of shared and connected, as well as entangled, histories, transfers and crossings.
A Modern History of the Balkans
The history of the Balkans has been a distillation of the great and terrible themes of 20th century history-the rise of nationalism, communism, fascism, genocide, identity and war. Written by one of the leading historians of the region, this is a new interpretation of that history, focusing on the uses and legacies of nationalism in the Balkan region. In particular, Professor Veremis analyses the influence of the West-from the fall of the Ottoman Empire and the rise and collapse of Yugoslavia. Throughout the state-building process of Greece, Serbia, Rumania, Bulgaria and later, Albania, the West provided legal, administrative and political prototypes to areas bedevilled by competing irredentist claims. At a time when Slovenia, Rumania, Bulgaria and Croatia have become full members of the EU, yet some orphans of the Communist past are facing domestic difficulties, A Modern History of the Balkans seeks to provide an important historical context to the current problems of nationalism and identity in the Balkans.
Mirroring Europe
Mirroring Europe offers refreshing insight into the ways Europe is imagined, negotiated and evoked in Balkan societies in the time of their accession to the European Union. Until now, visions of Europe from the southeast of the continent have been largely overlooked. By examining political and academic discourses, cultural performances, and memory practices, this collection destabilizes supposedly clear and firm division of the continent into East and West, ‘old’ and ‘new’ Europe, ‘Europe’ and ‘still-not-Europe’. The essays collected here show Europe to be a dynamic, multifaceted, contested idea built on values, images and metaphors that are widely shared across such geographic and ideological frontiers. Contributors are: Čarna Brković, Ildiko Erdei, Ana Hofman, Fabio Mattioli, Marijana Mitrović, Nermina Mujagić, Orlanda Obad, and Tanja Petrović.
From Yugoslavia to the Western Balkans
Reflecting more than two decades of research on Yugoslavia’s collapse and based primarily on sources from the region itself, this book consistently challenges commonly-held beliefs about the Balkans wars, and about European integration, international law, human rights, and politics in multi-national societies.
Retracing Images
Drawing on visual materials (film, art, graffiti, street-art, public advertisement, memorials), the essays of this collection offer detailed views on the cultural and political dynamics that preceded and emerged in the wake of the Yugoslav conflicts of the 1990s.
Scaling the Balkans
Scaling the Balkans puts in conversation several fields that have been traditionally treated as discrete: Balkan studies, Ottoman studies, East European studies, and Habsburg and Russian studies. By looking at the complex interrelationship between countries and regions, demonstrating how different perspectives and different methodological approaches inflect interpretations and conclusions, it insists on the heuristic value of scales. The volume is a collection of published and unpublished essays, dealing with issues of modernism, backwardness, historical legacy, balkanism, post-colonialism and orientalism, nationalism, identity and alterity, society-and nation-building, historical demography and social structure, socialism and communism in memory, and historiography.
Entangled Histories of the Balkans - Volume Three
Modern Balkan history has traditionally been studied by national historians in terms of separate national histories taking place within bounded state territories. The authors in this volume take a different approach. They view the modern history of the region from a transnational and relational perspective in terms of shared and connected, as well as entangled histories. This regards the treatment of shared historical legacies by rival national historiographies. The volume deals with historiograpical disputes that arose in the process of “nationalizing” the past. Contributors include: Diana Mishkova, Alexander Vezenkov, Roumen Daskalov, Tchavdar Marinov and Bernard Lory.
Stephen the Great and Balkan Nationalism
"Perceived as the founder of a Balkan identity, Stephen the Great maintained Moldavia's independence during periods of fierce Ottoman attack between 1457 and 1504. His Christian religious stance meant that, in the eyes of Europe, he had not only defeated a significant territorial threat but had elevated Christianity to a superior level as victors over their Muslim opponents. This book unveils the mechanisms behind this legacy, reviews the state formations that allowed this national hero to emerge, and explains the methods that preserve his memory in the region today."--Bloomsbury Publishing.
The Great War and Memory in Central and South-Eastern Europe
This volume presents a series of chapters about the Great War and memory in Central and South-Eastern Europe which will widen the insufficient and spotty representations of the Great War in that region. The contributors deliver an important addition to present-day scholarship on the more or less unknown war in the Balkans and at the Italian fronts. Although it might not completely fill the striking gap in the historical representations of the situation between the Slovene-Italian Soča-Isonzo river in the North-West and the Greek-Macedonian border mountains around Mount Kajmakčalan in the South-East, it will add significantly to the scholarship on the Balkan theatre of war and provide a much-needed account of the suffering of civilians, ideas, loyalties and cultural hegemonies, as well as memories and the post-war memorial landscape. The contributors are Vera Gudac Dodić, Silviu Hariton, Vijoleta Herman Kaurić, Oto Luthar, Olga Manojlović Pintar, Ahmed Pašić, Ignác Romsics, Daniela Schanes, Fabio Todero, Nikolai Vukov and Katharina Wesener.
