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Twentieth-century Dance in Britain
A history of five British dance companies in the 20th century.
Ballet across Borders
This absorbing book is ballet's 'biography' -- a revealing examination of a closed world, its competition and camaraderie, sexual politics, intimacies, pressures and, not least of all, its magic. Ballet companies have endeavoured to hide what is going on backstage lest the reality of highly strung nerves, constant fatigue and pain from injuries tarnish the illusion of ethereal figures and seemingly weightless steps in polished performances. But the audience's perceptions of fairy-tale worlds onstage are far removed from the experiences of the dancers themselves. The author, who trained to be a dancer, has been given an entrée to this private world that few outsiders ever see.Books on ballet...
Birmingham Royal Ballet
'I came to Birmingham with the view to being creative, and today I believe we have not only successfully secured the future of the Company, but the whole dance culture in the city of Birmingham. We are geared for great things.' - David Bintley, BRB Director Twenty years ago, Birmingham Royal Ballet (BRB) took the brave step to set up on its own in Birmingham. It was the making of this marvellous company of dancers and dance makers. Now one of the foremost international ballet companies in the world, this book celebrates this story through stunning pictures. Fully illustrated with stunning photographs, and classically put together this will make a beautiful gift book for all ballet lovers. Wonderful productions, wonderful dancers, a fairy tale made real.
Scottish Ballet
Renowned for its versatility & applauded for its diverse & dynamic repertoire, Scottish Ballet, Scotland's vibrant national dance company, marks its 40th anniversary with a selection of striking & beautiful images that capture perfectly the chic style of a company whose powerful athleticism continues to attract acclaim worldwide.
Ballet in the Blitz
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The Business of Ballet
The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-garde explores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ability to secure funds from aristocrats, industrialists, artists, and swindlers, Ira Nadel offers new insight into the financial life of modern ballet. Throughout [his] analysis, Nadel reveals that Diaghilev was able to attract not only financial support but also the most innovative artistic and musical talents and choreographers of the period,...
My Fair Lady
The text of the Broadway musical adapted from George Bernard Shaw's Pygmalion.
