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Born in India Made in England tells the story of Balraj Khanna.
The age-old conflicts between father and son are played out in this humorous and gently satirical novel set in postpartition India. Omi is just one of the boys in Camp Baldev Nagar expected to pass his exams, agree to an arranged marriage, and generally improve his station in life. However, he comes to resent the traditional life laid out for him by his hot-blooded, sweet-vending, social-climbing father. Creating a great deal of ill will as he challenges his father's authority, Omi strives to establish his independence and chart his own life. Along the way he surprises everybody, including himself.
Catalog for the Hayward Gallery's touring exhibition of their show featuring 2000 years of Indian sculpture. This is a distribution-only title for which there are no supporting materials.
This is an explanation of the reasons behind the current artistic renaissance in India, a country steeped in traditionalism, and ruled by a foreign power for two centuries. It demonstrates that the coming of independence created an uninhibited context for Indian creative genius to flower again. In the 1950s artists embarked on a quest for identity that was new, and yet would reflect their country's heritage. Since then, Indian artists have quietly brought about what may be described as a charmed revolution in Indian art. The results of this revolution, as yet little known in the West and seen in this text in colour reproductions, connect India's timeless tribal and folk art traditions with developments in 20th-century Western art, in ways which are as Indian in spirit as they are universal in appeal.
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This is a critical survey of contemporary South Asian Britain. The book combines analysis with empirically rich studies to map out the diversity of the British Asian way of life. The contributors provide insights & information on the Asian British experience in its socio-economic & cultural dimensions.
Following independence, the Nehruvian approach to socialism in India rested on three pillars: secularism and democracy in the political domain, state intervention in the economy, and diplomatic non-alignment mitigated by pro-Soviet leanings after the 1960s. These features defined a distinct "Indian model," if not the country's political identity. From this starting point, Christophe Jaffrelot traces the transformation of India throughout the latter half of the twentieth century, particularly the 1980s and 90s. The world's largest democracy has sustained itself by embracing not only the vernacular politicians of linguistic states, but also Dalits and "Other Backward Classes," or OBCs. The sim...