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"Contributing to the debate about D. H. Lawrence's relationship with and fictional portrayal of women, this book discusses how the dynamic tensions of his art dramatically reenact the competing forces of psychic and relational life. In her examination of Sons and Lovers, The Rainbow, Women in Love, and various short stories, Schapiro discusses how Lawrence's best works reveal a continual struggle to recognize and be recognized by the other as an independent subject. Drawing on Jessica Benjamin's psychoanalytic theory of intersubjectivity, she also demonstrates how a breakdown of balanced subject-subject relations in his texts gives rise to defensive polarities of gender and of domination and submission."--BOOK JACKET.
Shapiro traces the genesis of the fact, a modern concept that originated not in natural science but in legal discourse. She follows the concept's evolution and diffusion across a variety of disciplines in early modern England.
The essays collected in Analyzing the Different Voice: Feminist Psychological Theory and Literary Texts apply influential, pathbreaking psychological studies about women's lives to literature. In their analyses of fictional portraits, contributors both challenge and confirm psychological theories about female identity, about 'connection/separation' as developmental catalysts, and about the impact of gender on 'voice, ' moral decision-making, and epistemology in relation to classical and contemporary literary texts, written by both women and men.
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In eight close readings of texts from the 19th and 20th centuries, provides a broad overview of relational concepts and theories of applying psychoanalytic perspectives to the understanding of literature in particular and aesthetics in general. Annotation copyright by Book News, Inc., Portland, OR
Combining literature and psychoanalysis, this collection foregrounds the work of literary creators as foundational to psychoanalysis.
Originally published in 1990, this book brought a new rigor and subtlety to the interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. Offering substantial readings of Jean-Luc Godard’s controversial deconstructed King Lear and of Liz White’s independent African-American Othello, Donaldson also applies his provocative and contemporary point of view to more familiar films. He reads Olivier’s Henry V in relation to its treatment of sexual difference; Olivier’s Hamlet in part as an expression of the director’s childhood sexual trauma; Kurosawa’s Throne of Blood as an allegory of the relationship between Western and Japanese cinema; and Zeffirelli’s immensely popular Romeo and Juliet in the light of its powerful homoerotic subtext. With striking perspectives on Shakespeare, on the movies as an expressive medium, and on the complex processes of cultural change, this is timeless useful reading for teachers and students of film and literature.
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse fil...
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