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And Wrote My Story Anyway
Critically examines influential novels in English by eminent black female writers Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction criticality interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society. This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope, and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects. Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.
Grace
Family secrets run deep for Grace, a young girl growing up in Cape Town during the 1980s, spilling over into adulthood, and threatening to ruin the respectable life she has built for herself. When an old childhood friend reappears, Grace’s memories of her childhood come rushing back, and she is confronted, once again, with the loss that has shaped her. She has to face up to the truth or continue to live a lie - but the choice is not straightforward. Grace is an intimate portrayal of violence, both personal and political, and its legacy on one person’s life. It meditates on the long shadow cast by personal trauma, showing the inter-generational imprint of violence and loss on people’s lives.
Unmaking Grace
Grace's perfect life in Cape Town is undone when her childhood sweetheart unexpectedly reappears after disappearing during an anti-apartheid police riot a decade earlier.
That Marriageable Man! (Mills & Boon Vintage Desire)
MAN of the Month MR. JUNE That Marriageable Man: Tall, dark and very sexy Rafe Paradise was single and satisfied – until he "inherited" four mischievous kids
Stand-In Bride
They called him America's most eligible bachelor, but high-powered executive Michael Fortune didn't want a wife. So he offered his faithful secretary, Julia Chandler, a surprising proposition: become his pretend bride–for a price.
CINDERELLA'S ROYAL SEDUCTION
I want to support him as he faces his destiny...even if he doesn’t love me. Cassiopeia’s greedy stepmother and stepsisters have taken the hotel her father left her, and she is forced to work there like a servant. One day, Prince Rhys of Verina, who is rumored to be looking for a bride, arrives at the hotel. If her stepsisters are chosen as the bride and leaves with their mother, she can take back the hotel. Cassiopeia has faint hopes. However, Rhys told her that he had bought the hotel, and then he said something even more unbelievable. “I came here for you, Cassiopeia, as my wife.” Why...why did the prince choose me as his bride?
Spatial Justice After Apartheid
This book considers the question of spatial justice after apartheid from several disciplinary perspectives – jurisprudence, law, literature, architecture, photography and psychoanalysis are just some of the disciplines engaged here. However, the main theoretical device on which the authors comment is the legacy of what in Carl Schmitt’s terms is nomos as the spatialised normativity of sociality. Each author considers within the practical and theoretical constraints of their topic, the question of what nomos in its modern configuration may or may not contribute to a thinking of spatial justice after apartheid. On the whole, the collection forces a confrontation between law’s spatiality ...
Chicken Soup for the Bride's Soul
Your wedding day is one of the most memorable of your life—especially if you're the bride. From unique proposals to hilarious and touching tales of actual ceremonies and receptions, this book will inspire anyone looking ahead to the big day.
Youth and Popular Culture in Africa
"The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of so...
