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The Feminine Sublime
The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longi...
Every Day But Tuesday
Lyric experiments that probe the paradoxes of language and inquiry
Incivilities
Poetry. In her first collection, Barbara Claire Freeman links lyric subjectivity to an exploration of crucial moments in U.S. history. There are meditations on the Declaration of Independence, institution of slavery, Gold Rush, Lewis and Clark Expedition, Civil War, Great Depression, terrorist attacks of 9/11, as well as on our contemporary economic and cultural lives. These formally inventive poems braid the personal and the political. They offer no compromise, no synthesis, but they do offer hope as they invite critical reflection of "authorized history" and trace the efforts of historical subjects to make and remake their lives. INCIVILITIES is committed to the past and to the present, envisioning a poetry that might function both as a ritualistic act of imagining and as a talisman against forgetting.
An Instance
Poetry. AN INSTANCE is the first in an occasional series from Instance Press collecting new chapbooks from multiple authors in a single volume. AN INSTANCE contains "Hotel Lazuli" by Ange Mlinko, "Which Is Exhibited" by Jesse Seldess, and "St. Ursula's Silence" by Barbara Claire Freeman.
The Feminine Sublime
The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longi...
Barbara Freeman
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1983 January 1
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Barbara Freeman
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The Sublime
The sublime in literature is described as the sense of awe that is evoked in the presence of great power and grandeur in nature or in art. In this engaging new volume, the role of the sublime is discussed in ""Emma"", ""Ode to the West Wind"", ""Song of Myself"", and many other works. Featuring original essays and excerpts from previously published critical analyses, each book in the new Bloom's ""Literary Themes"" series gives students valuable insight into the title's subject theme.
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