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Florence's golden child: The Early Renaissance master During Sandro Botticelli's lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death he was soon forgotten, to be rediscovered only in the 19th century by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest of the Renaissance artists. In the Uffizi Gallery in Florence, paintings such as"Primavera" and "The Birth of Venus" are among the foremost attractions for tourists and art lovers. Botticelli's captivating figures of women, his intimate portrayals of the Madonna and Child, and the angelic beauty of his adolescents are famous the world over today. The artist's life and work are explored in this thoughtful and beautifully illustrated study.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions
Examines the life and work of the Italian painter of the early Renaissance, describing and giving examples of his art.
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By the end of the thirteenth century, court procedure in continental Europe in secular and ecclesiastical courts shared many characteristics. As the academic jurists of the Ius commune began to excavate the norms of procedure from Justinian's great codification of law and then to expound them in the classroom and in their writings, they shaped the structure of ecclesiastical courts and secular courts as well. These essays also illuminate striking differences in the sources that we find in different parts of Europe. In northern Europe the archives are rich but do not always provide the details we need to understand a particular case. In Italy and Southern France the documentation is more deta...
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
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This volume contains the texts of six papers delivered by internationally renowned scholars during a three-day conference held in Florence in October 2008 in celebration of the one hundredth anniversary of the publication of Horne’s celebrated monograph on Botticelli. The first paper, by Caroline Elam, is the keynote lecture she gave at Villa I Tatti about Horne’s remarkable personality and career. Another, by Jonathan Nelson, poses the equally fundamental question of what constitutes authorship in certain works in the production of which Botticelli was only partly involved. Scholar Antonella Francini presents a poem she just discovered by Herbert Horne about a portrait by Botticelli in London. Together these essays deepen our understanding of this celebrated early Renaissance painter.
Life and work of the renowned painter, scientist, and philosopher of the Renaissance period.
Get to know the Pre-Raphaelites, an undercover brotherhood of poets, painters, and critics, often regarded as Britain's first modern art movement. With key works by leading artists, this book explores the group's rejection of Classical beauty ideals, and its reactionary immersion in nature, medieval culture, and literary emblems of love and death.
Gustav Klimt's art thoroughly expresses the apocalyptic atmosphere of Vienna's upper middle-class society - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. In particular, his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world "in female form". [site accessed 23/07/2012 - http://www.amazon.com/Gustav-Klimt-1862-1918-Basic-Art/dp/382285980X].