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The Planters
This is a genealogical history of the McKneely families of South Carolina, Georgia and Louisiana. There are two branches to this Scotch-Irish family with this unique spelling. One that migrated from South Carolina to Georgia and then on to Texas and other parts of the expanding United States of America. Then there is the branch that left South Carolina in the late 1700s and early 1800s with other families and settled in what at the time was West Florida. This area then was taken into the United States of America with the purchase of Florida from Spain and then became a part of Louisiana. The Louisiana branch resided in the Parishes called the Florida Parishes and stayed close to the area unt...
Charles Olson's Reading
Maud (English, Simon Fraser U.) offers a narrative account of the life and work of poet Charles Olson, focusing on the poet's lifelong reading material as a basis for understanding his work. Drawing on an annotated listing of his library, as well as his childhood books and poetry by his contemporaries, he links the books to the poet's intellectual and poetic development at each stage of his career. Annotation copyright by Book News, Inc., Portland, OR
The Family Friend
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Michiganensian
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And Why Not?
Renowned for his laconic wit and opinionated ideas, Barry Norman shares a wealth of stories about his life among Hollywood royalty. One of the United Kingdom's best-known film authorities, journalists, and broadcasters, Barry Norman fronted the seminal BBC film program for nearly thirty years. In And Why Not?, Norman recounts his years of fraternizing with the cinematic greats, including encounters with the likes of Elizabeth Taylor, Laurence Olivier, and Madonna. Honest, clever, funny, and at times poignant, And Why Not? offers an insider's account of the worlds of journalism, broadcasting, and film.
The Spaces of the Modern City
It historicizes the contemporary discussion of urbanism, highlighting the local and global breadth of the city landscape. This interdisciplinary collection examines how the city develops in the interactions of space and imagination. The essays focus on issues such as street design in Vienna, the motion picture industry in Los Angeles, architecture in Marseilles and Algiers, and the kaleidoscopic paradox of post-apartheid Johannesburg. They explore the nature of spatial politics, examining the disparate worlds of eighteenth-century Baghdad, nineteenth-century Morelia. They also show the meaning of everyday spaces to urban life, illuminating issues such as crime in metropolitan London, youth culture in Dakar, "memory projects" in Tokyo, and Bombay cinema.
