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Jerusalem, 1000–1400
Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithsta...
Choirs of Angels
This delightful book describes and illustrates the Metropolitan Museum's collection of nearly 40 illuminations from Italian choral manuscripts. Representing the work of Gothic and Renaissance masters both celebrated and anonymous, these precious paintings in miniature---with their compelling narrative, brilliant color, and shining gold---bear witness to exceptional aesthetic accomplishment. The choir books they illuminate are a rich source of information about the development of chant, whose unexpected transcendent tonalities have abiding appeal today. They also serve as primary sources for the study of the lives of religious communities and of the philosophy and faith that infused medieval Europe, offering a glimpse of Italy at the dawn of the Renaissance.
Pen and Parchment
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Prague
This catalogue accompanies the Fall 2005 exhibition that celebrates the flowering of art in medieval Prague, when the city became not only an imperial but also an intellectual and artistic capital of Europe. Scholars trace the distinctly Bohemian art that developed during the reigns of Holy Roman Emperor Charles IV and his sons; the artistic achievements of master craftsmen; and the rebuilding of Prague Castle and of Saint Vitus' Cathedral. -- Metropolitan Museum of Art website.
A Blessing of Unicorns
This Bulletin examines the fascinating stories behind the only known sets of unicorn tapestries in the world—one at The Met Cloisters and another at the Musée de Cluny, Paris. The thirteen tapestries that compose the two sets—six at the Cluny and seven at The Met—remain shrouded in mystery, with their origins and original owners still unknown. Considering the iconography of these two collections together and drawing from primary sources, this Bulletin aims to reach a better understanding of these masterworks and their mythical subject that has captured the public imagination for centuries.
Painting and Illumination in Early Renaissance Florence, 1300-1450
. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Enamels of Limoges
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
A Time of Crisis
This special issue of the Bulletin reflects on some of the crises gripping our world in the present moment, including the catastrophic impact of the COVID-19 pandemic and the continuing tragedy of racial injustice. Voices from The Metropolitan Museum of Art present their personal perspectives on issues and challenges facing us all while connecting these difficult times to art, artists, and the Museum’s history. Conceived and written during the Museum’s unprecedented closure, this compelling publication reflects on art’s power to inspire, comfort, and heal.
Small Wonders
"Groundbreaking research on sixteenth-century miniature boxwood carvings in the Thomson Collection of European Art at the Art Gallery of Ontario and the Morgan Collection at The Metropolitan Museum of Modern Art."--
The Colmar Treasure
Published to accompany an exhibition at The Met Cloisters, this exquisite volume examines a treasure, hidden by a medieval Jewish family, which offers new insight into their world and their lost community. During a 19th century renovation of a confectioner's shop in the town of Colmar, France, workers chanced upon a precious hoard of medieval jewellery and coins hidden in a wall. The cache - known as the Colmar Treasure - is thought to have been concealed by a Jewish family prior to the outbreak of the Plague in 1348, when Jews across the region were tragically scapegoated and put to violent death. This exquisite volume, published to accompany an exhibition at The Met Cloisters, examines their legacy through the lens of the Colmar treasure, shedding light on what it reveals about the work, homes, worship and values of its owners. Accompanies an exhibition at The Met Cloisters from 22 July 2019 to 12 January 2020. Contents: Director's Foreword Acknowledgments Finding Treasure in Colmar Finding the Lost Jews of Colmar Unlocking a Medieval Jewel Box Catalogue Notes Bibliography Index
