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This bibliographic guide covers the “Buffyverse”—the fictional worlds of the acclaimed television series Buffy the Vampire Slayer (1997–2003) and its spinoff Angel (1999–2004), as well as the original Buffy feature film of 1992. It is the largest and most inclusive work of its kind. The author organizes and describes both the original texts of the Buffyverse (episodes, DVDs, novels, comic books, games, and more) and the secondary materials created about the shows, including books, essays, articles, documentaries, dissertations, fan production and websites. This vast and diverse collection of information about these two seminal shows and their feature-film forebear provides an accessible, authoritative and comprehensive survey of the subject.
The final previously unpublished work from two-time winner of the Pulitzer Prize and winner of the National Book Award, Norman Mailer. Norman Mailer is one of America's most consequential public intellectuals of the postwar period. He cofounded the Village Voice, and he was the author of twelve novels, among them The Naked and the Dead and Harlot’s Ghost, as well as numerous works of nonfiction. He is truly one of the giants of American literature. Lipton's, A Marijuana Journal is the only work by Norman Mailer that has not been published previously. Written between 1954-55, from December to March, it contains many ideas he would develop in his later work. The journal includes daily musings, as well as thoughts profound. It is a must-read for Norman Mailer scholars, as well as literature professors. Lipton’s, A Marijuana Journal also includes never before published letters between Robert Lindner (author of Rebel Without a Cause, Prescription for a Reberllion, and The 50 Minute Hour) and Norman Mailer. They introduce the reader to Mailer’s state of mind during the time he was writing the journal and to the unique relationship he had with Dr. Lindner.
'Childsplay' offers a description of Kaprow's 'Happenings' and other art activities, clarifying their materiality, duration and setting, as well as the ways that people participated in them, and shows that Kaprow's art forms were physically present, socially engaged, and intellectually resonant in the moment of enactment.
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert...
This book explores the tangled texture of the art world, a curious and mysterious space. In 60 essays, drawn from around the globe, it reveals new dimensions about how artists make their art, resist censorship and retain an independent, creative spirit. The essays ask and answer several crucial questions: How do artists in Europe, the United States, Asia, the Middle East, and Latin and South America find space to live and work? How do artists follow their talent to make and exhibit original art in a politicized world where artistic freedom is often limited? How do smaller artistic venues survive the economic pressures and competition in the art market? Focusing on under-the-radar subjects, the reports, interviews, and essays illuminate the pain and pleasures of artistic production and the challenges faced by artists, curators, and gallerists.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
From the author of the acclaimed James Brown biography The One comes the first in-depth biography of renowned photographer and filmmaker Robert Frank, best known for his landmark book The Americans. As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it. American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and g...
The career of the German-American painter and educator Hans Hofmann (1880–1966) describes the arc of artistic modernism from pre–World War I Munich and Paris to mid twentieth-century Greenwich Village. His career also traces the transatlantic engagement of modern painting with the materials of its own making, a relationship that is perhaps still not completely understood. In these interrelated narratives, Hofmann is a central protagonist, providing a vital link between nineteenth- and twentieth-century art practice and between European and American modernism. The remarkable vitality of his later work affords insight not only into the style but also the literal substance of this formative...