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How did Victorian travellers define and challenge the notion of Empire? How did the multiple forms of Victorian travel literature, such as fiction, travel accounts, newspapers, and poetry, shape perceptions of imperial and national spaces, in the British context and beyond? This collection examines how, in the Victorian era, space and empire were shaped around the notion of boundaries, by travel narratives and practices, and from a variety of methodological and critical perspectives. From the travel writings of artists and polymaths such as Carmen Sylva and Richard Burton, to a reassessment of Rudyard Kipling’s, H. G. Wells’s and Julia Pardoe’s cross-cultural and cross-gender travels, this collection assesses a broad range of canonical and lesser-studied Victorian travel texts and genres, and evaluates the representation of empires, nations, and individual identity in travel accounts covering Europe, Asia, Africa and Britain.
A family history of the legendary violinmakers of Mantua, Cremona and Venice, and the definitive commentary on their craftsmanship. Includes 131 photographs, 16 in full color.
Denver homicide detective Bryson Coventry is thrust into his most bizarre and twisted case yet as he hunts the killer of a woman who was murdered with a wooden stake through her heart as if she was a vampire. Meanwhile, beautiful young blues singer Heather Vaughn learns that hse has been targeted for a similar death. She frantically searches for answers, not only to save her life but also to find out whether dark genes from an ancient past are buried inside her. As time runs out, both she and Coventry find themselves swept deeper and deeper into the throes of a modern-day thriller born of ancient and deadly obsessions.
How Popular Culture Destroys Our Political Imagination: Capitalism and Its Alternatives in Film and Television explores the representations of capitalism, the state, and their alternatives in popular screen media texts. Acknowledging the problems that stem systemically from capitalism and the state, this book investigates an often-overlooked reason why society struggles to imagine alternative economic and political systems in our neoliberal age: popular culture. The book analyzes 455 screen media texts in search of critiques and alternative representations of these systems and demonstrates the ways in which film and television shape the way we collectively see the world and imagine our polit...
A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.
Three lives come together on the steps of a country church one fateful summer’s morning – two from backgrounds of wealth and privilege, the other an artisan already on his way to genius – each will know love and loss as the next twenty years unfold. Cremona, Italy. 1714. When thirteen-year-old Katarina Rota opens the door to the Guarneri workshop and Giuseppe plays a violin for her, neither can imagine what lies ahead. Though Giuseppe can teach her how to play, nurturing her talent until it surpasses his, he cannot see beyond that child he first knew. So, when Katarina meets Viennese army captain Johannes Horak and learns their families have arranged their marriage, she is ready to lea...
Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.
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This volume provides sustained critical attention on Byatt’s wonder tales, both the stand-alone tales and those which are embedded in the wider frame of a novel or novella. In this light, it examines Byatt’s claim that her wonder tales “are modern literary stories and they do play quite consciously with a postmodern creation and recreation of old forms” through a revisitation of the wonder tale in a productive dialogue with tradition as an expanded recognition of this fertile creative-critical dialogue with regards to the significance of the wonder tale in Byatt’s fictional work. The book evinces a fresh variety of conceptions and approaches to Byatt’s wonder tales, some spanning several tales and others focussing on a specific wonder tale, all thoroughly observant of the nature and workings of the relationship between story or novel and genre or tale, and theoretically informed by innovative critical approaches.