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In these nine evocative essays, Barbara Hurd explores the seductive allure of bogs, swamps, and wetlands. Hurd's forays into the land of carnivorous plants, swamp gas, and bog men provide fertile ground for rich thoughts about mythology, literature, Eastern spirituality, and human longing. In her observations of these muddy environments, she finds ample metaphor for human creativity, 9imagination, and fear.
Entering the Stone is an exhilarating work, ``as much a spiritual essay as it is a natural history of caves [that] presents the cave as a place to find solitude and to confront the self'' (Boston Herald).
Barbara Hurd's Listening to the Savage weaves rich explorations of science, history, mythology, literature, and music. The listening of the book delineates and champions a kind of attentiveness to what is not easily heard and is written in language that is as precise as it is poetic, providing original ways of engagement in the natural world. As in Hurd's other books, the previously unknown or the barely known becomeless mysterious but still retain the quality of mystery. The book presumes that nature is a mix of the chaotic and the wondrous. It addresses worry and advocacy--worry about our carelessness that can destroy the balance of that mix and a cry for us to pay more attention to humanity's relationship to natural history. Listen, be alert, it says without hectoring. Rivers, ferns, streams, birds all have a life that is delicate and worth preserving. Barbara Hurd is one of our finest environmental writers, and this book will please the choir and persuade those on the ambivalent edge.
This final volume in the author's trilogy, which began with Stirring the Mud and Entering the Stone gives nature writing a human dimension and throws light on the mysterious and overlooked wonders on beaches as far-flung as Morocco, St. Croix, or Alaska, and as familiar as California and Cape Cod.
Poetry. Hurd confronts the reader with the fascinating proposition, a medical conjecture, that many of us are actually twins in our single bodies and oblivious of it, and carries us through varied perspectives on this theme of self-acomplishment. "When we read of collection of poems chockfull of surprising subjects and turns of mind, imagery, and figuration, we think, well, here's a new poet, and we delight in our find. However, when unpredictibility arrives paired with inevitability, as is true in poem after poem of The Singer's Temple, one of the great paradoxes of art stands before us. When that paradox comes clothed in language both unpretentious and rich, we feel exhiarated, restored, elegantly haunted" - Gray Jacobik.
Tired of knitting books that spend fifty pages telling you how to get started? Get the skinny, compact directions for simple to advanced designs (such as a baby carrier, bangleless bracelet, and mobius wrap). Over twenty unique, quick-to-knit items, photographed at the Historic Michie Tavern (near Jeffersons Monticello), are for knitters and spinners of all skill levels. Your soul will find comfort in creating a gift to comfort another soul.
Modeled on the "Dictionary of American Biography, "this set stands alone but is a good complement to that set which contained only 700 women of 15,000 entries. The preparation of the first set of "Notable American Women" was supported by Radcliffe College. It includes women from 1607 to those who died before the end of 1950; only 5 women included were born after 1900. Arranged throughout the volumes alphabetically, entries are from 400 to 7,000 words and have bibliographies. There is a good introductory essay and a classified lest of entries in volume three.
Literary Nonfiction. Hurd's brilliant book about climate change is also a book about storytelling, about paying attention to little, most invisible things that manage to survive without heroics, or the help of heroes. There are many books about climate change, but none like hers that deliver the bad goods with such unsentimental empathy.
The author describes the marine life that inhabit the world's oceans and the damage done to its ecosystems.
No photographer since Edward Weston has photographed the tidal waters and beaches of the Pacific Coast as Stephen Strom has, with an eye toward a rising sea and uncertain future.