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American Ecstasy
  • Language: en
  • Pages: 156

American Ecstasy

  • Type: Book
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  • Published: 2012-10-01
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  • Publisher: Unknown

"American ecstasy is a memoir in pictures and words of the twelve years photographer Barbara Nitke spent shooting stills on porn movie sets in New York City. The book takes place in the 1980s at the end of the Golden Age of Porn, as the industry transitioned from high budget, scripted film productions to smaller and ever cheaper video shoots. Nitke's images reveal the contradictions inherent in the business - great beauty, tinged with sadness, punctuated by surreal silliness. As she chronicles the sights and sounds of life on the sets, her stories also reveal her own struggle to come to terms with the end of her marriage and her fascination with the sexual outlaws of the porn world. Among the porn stars featured are Ron Jeremy, Vanessa del Rio, Nina Hartley, Sharon Mitchell, Sharon Kane, Siobhan Hunter, Jeanna Fine, Damian Cashmere, Tasha Voux, and many more. Directors include Henri Pachard, Candida Royalle, Lasse Braun and others."--

Ebony
  • Language: en
  • Pages: 288

Ebony

  • Type: Magazine
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  • Published: 2005-11
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  • Publisher: Unknown

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

Ghost Hunters
  • Language: en
  • Pages: 18

Ghost Hunters

  • Type: Book
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  • Published: 2011-07
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  • Publisher: Capstone

"Describes the different methods, techniques, and tools used by ghost hunters, and relates stories about some ghost hunters' experiences"--Provided by publisher.

Bitter Honeydew
  • Language: en

Bitter Honeydew

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

Winner of the European Publishers Award for Photography, Bitter Honeydew depicts the lives of those who run roadside stalls in Ukraine - 'tochka' - where they sell fruit according to the season. Golovchenko's images speak of his compassion for these uprooted men and women, about the bitterness in their lives. His photographs have been exhibited internationally since 2004, and he has received several prestigious scholarships. Christian Caujolle, one of France's leading curators and critics, provides an illuminating introductory essay to the work.

The Devil's Rope
  • Language: en
  • Pages: 228

The Devil's Rope

  • Categories: Art

In this book, Alan Krell investigates the place barbed wire holds in the social imagination.

Sapeurs
  • Language: en
  • Pages: 144

Sapeurs

British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.

G.K. Hall Bibliographic Guide to Dance
  • Language: en
  • Pages: 640

G.K. Hall Bibliographic Guide to Dance

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

Photography After Stonewall
  • Language: en
  • Pages: 125

Photography After Stonewall

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

Through works by 23 photographers, artist statements, and scholarly essays, the catalog explores the themes of body/gender/sexuality; home; family and couples; gays in the military; AIDS; fetish and pulp; and fantasy.

TV Guide
  • Language: en
  • Pages: 432

TV Guide

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

None

Repertory Movie Theaters of New York City
  • Language: en
  • Pages: 254

Repertory Movie Theaters of New York City

  • Type: Book
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  • Published: 2017-03-14
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  • Publisher: McFarland

New York's repertory movie houses specialized in presenting films ignored by mainstream and art house audiences. Curating vintage and undistributed movies from various countries, they educated the public about the art of film at a time when the cinema had begun to be respected as an art form. Operating on shoestring budgets in funky settings, each repertory house had its own personality, reflecting the preferences of the (often eccentric) proprietor. While a few theaters existed in other cities, New York offered the greatest number and variety. Focusing on the active years from 1960 through 1994, this book documents the repertory movement in the context of economics and film culture.