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The New Japanese Woman
DIVA study of the "modern" woman in Japan before World War II./div
The New Japanese Woman
A study of the "modern" woman in Japan before World War II.
The Modern Girl Around the World
During the 1920s and 1930s, in cities from Beijing to Bombay, Tokyo to Berlin, Johannesburg to New York, the Modern Girl made her sometimes flashy, always fashionable appearance in city streets and cafes, in films, advertisements, and illustrated magazines. Modern Girls wore sexy clothes and high heels; they applied lipstick and other cosmetics. Dressed in provocative attire and in hot pursuit of romantic love, Modern Girls appeared on the surface to disregard the prescribed roles of dutiful daughter, wife, and mother. Contemporaries debated whether the Modern Girl was looking for sexual, economic, or political emancipation, or whether she was little more than an image, a hollow product of t...
Gender and Modernity
None
Gendering Modern Japanese History
In the past quarter-century, gender has emerged as a lively area of inquiry for historians and other scholars. This text looks at the issue in the context of modern Japanese history, considering topics such as sexuality, gender prescriptions and same-sex and heterosexual relations.
Managing Women
At the turn of the twentieth century, Japan embarked on a mission to modernize its society and industry. For the first time, young Japanese women were persuaded to leave their families and enter the factory. Managing Women focuses on Japan's interwar textile industry, examining how factory managers, social reformers, and the state created visions of a specifically Japanese femininity. Faison finds that female factory workers were constructed as "women" rather than as "workers" and that this womanly ideal was used to develop labor-management practices, inculcate moral and civic values, and develop a strategy for containing union activities and strikes. In an integrated analysis of gender ideology and ideologies of nationalism and ethnicity, Faison shows how this discourse on women's wage work both produced and reflected anxieties about women's social roles in modern Japan.
Gendering Modern Japanese History
"In the past quarter-century, gender has emerged as a lively area of inquiry for historians and other scholars, and gender analysis has suggested important revisions of the “master narratives” of national histories—the dominant, often celebratory tales of the successes of a nation and its leaders. Although modern Japanese history has not yet been restructured by a foregrounding of gender, historians of Japan have begun to embrace gender as an analytic category. The sixteen chapters in this volume treat men as well as women, theories of sexuality as well as gender prescriptions, and same-sex as well as heterosexual relations in the period from 1868 to the present. All of them take the p...
Bad Youth
The first in-depth study of the political, social, and cultural history of juvenile delinquency in modern Japan, Bad Youth treats the policing of urban youth as a crucial site for the development of new state structures and new forms of social power. Focusing on the years of rapid industrialization and imperialist expansion (1895 to 1945), David R. Ambaras challenges widely held conceptions of a Japan that did not, until recently, experience delinquency and related youth problems. He vividly reconstructs numerous individual life stories in the worlds of home, school, work, and the streets, and he relates the changes that took place during this time of social transformation to the broader processes of capitalist development, nation-state formation, and imperialism.
Modanizumu
Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun’ichiro. By contrast, scholars in the visual and fine arts, architec...
