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"Centers on what a number of British Victorian and Edwardian women said and did in the name of nature -- what part they played in the cultural reconstruction of nature that transpired in the years just proceeding the publication of Darwin's major work and in the wake of the Darwinian revolution"--Introduction.
From the late eighteenth to the early twentieth century, hundreds of British women wrote about and drew from nature. Some—like the beloved children's author Beatrix Potter, who produced natural history about hedgehogs as well as fiction about rabbits—are still familiar today. But others have all but disappeared from view. Barbara Gates recovers these lost works and prints them alongside little-known pieces by more famous authors, like Potter's field notes on hedgehogs, reminding us of better known stories that help set the others in context. The works contained in this volume are as varied as the women who produced them. They include passionate essays on the protection of animals, vivid ...
Fourteen essays explore work by women who have disseminated scientific knowledge, highlighting women as productive literary and artistic agents within science culture, and focusing on science written in the vernacular. Contributors discuss subjects such as the dissemination of knowledge in England, Canada, Australia, and America, the redefinition of knowledge by post-Darwinian women and women of the 20th century, and self-fashioning. Paper edition (unseen), $17.95. Annotation copyrighted by Book News, Inc., Portland, OR
Ecofeminist Literary Criticism is the first collection of its kind: a diverse anthology that explores both how ecofeminism can enrich literary criticism and how literary criticism can contribute to ecofeminist theory and activism. Ecofeminism is a practical movement for social change that discerns interconnections among all forms of oppression: the exploitation of nature, the oppression of women, class exploitation, racism, colonialism. Against binary divisions such as self/other, culture/nature, man/woman, humans/animals, and white/non-white, ecofeminist theory asserts that human identity is shaped by more fluid relationships and by an acknowledgment of both connection and difference. Once considered the province of philosophy and women's studies, ecofeminism in recent years has been incorporated into a broader spectrum of academic discourse. Ecofeminist Literary Criticism assembles some of the most insightful advocates of this perspective to illuminate ecofeminism as a valuable component of literary criticism.
The story of nineteenth-century science often tells a tale of a masculinized professionalizing domain. Scientific man increasingly pushed women out, marginalized them and constructed them as naturally feminine creatures incapable of intellectual work, particularly scientific work. Yet many women participated in various scientific endeavours throughout the century. This work asks why, when the waters were so inviting, did women dive deeply into the swirling maelstrom of scientific practice, scientific controversies and scientific writing? Victorian women certainly recognised that male naturalists were not always willing to welcome them warmly into their inner sanctum of scientific work honour...
Two Fates. Two Worlds. One Love.Eighteen-year old Daria Jones feels trapped in the cow-strewn suburbs of Fresno, California. And with a father so overprotective he's installed video and thermal surveillance down the street, she doesn't get out much. Until the night he disappears. Following the trail of notes he's left behind, Daria gathers three things: a dark force is hunting her, her father's fled to another world on a cryptic mission, and the only one left to trust is her ex-best friend, Alexander Anderson. The more she learns about her father's absence, the more she realizes she must go to this other world to find him. And Alexander is the only one who knows how to get there. Amidst a world of diabolical creatures, ancient magic, and bizarrely intuitive vegetation, Daria must find her father before the dark force finds her. But the truth of who she really is could be her greatest enemy of all.
An interdisciplinary study of the 'domesticated' or home landscape as it shapes women's lives and their ways of writing.
From the winner of the Roald Dahl Funny Prize, the Red House Children's Book Award, the Waterstones Children's Book Prize and the Blue Peter Best Story Book Award 2013, comes the seventh amazing instalment of Tom Gates' adventures!
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the ...
Barbara is in a very bad mood. She won't admit it, but she is. She has a problem with a sock, and at lunchtime there's a strange pea... And even though she's at the park with her friends, it all just gets a bit much. Suddenly Barbara's WOBBLER is out of control! But what if Barbara and her Wobbler can work together, so she can be cheerful again? Winner of the UKLA Award and shortlisted for the Oscar's Book Prize and the FCBG Children's Book Award, Barbara Throws A Wobbler is a brilliantly funny and sensitive way to understand and deal with tantrums. "These are the most brilliant, beautiful and silly picture-books out there at the moment. Little doorways of joy." Caitlin Moran "This book is AMAZING. It will be a modern classic!" - Richard Osman