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Documenting Spain: Artists, Exhibition Culture, and the Modern Nation, 1929Ð1939
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to Fren...
Barcelona's Vocation of Modernity
Barcelona's Vocation of Modernity is a study of the emergence and development of the cultural image of the Iberian peninsula’s foremost modern city.
Women on War in Spain’s Long Nineteenth Century
The ways in which women have historically authorized themselves to write on war has blurred conventionally gendered lines, intertwining the personal with the political. Women on War in Spain’s Long Nineteenth Century explores, through feminist lenses, the cultural representations of late nineteenth- and early twentieth-century Spanish women’s texts on war. Reshaping the current knowledge and understanding of key female authors in Spain’s fin de siècle, this book examines works by notable writers – including Rosario de Acuña, Blanca de los Rios, Concepción Arenal, and Carmen de Burgos – as they engage with the War of Independence, the Third Carlist War, Spain’s colonial wars, a...
Structures of Reform: The Mercedarian Order in the Spanish Golden Age
During the sixteenth and the seventeenth centuries the Mercedarian Order of friars, founded in the 1220s, underwent a period of reform from which it emerged utterly transformed. This study sets out to examine not only the context of that reform - the policies of the crown and the papacy, the condition of Catalonia and Spain at large, the circumstances prevailing within the Order and the dialogue with its past - but also to grasp the essence of monastic reform itself against this diverse background. The imposition of other than purely religious criteria onto the reform agenda alerts us to the deeper implications of monastic change in Early Modern Europe. For the Mercedarians the result by 1650 was a wholly new Order; the evolution of this process, by turns calculated and unexpected, is here explored.
Reflections on A New Mexican Crypto-Jewish Song Book
Reflections on A New Mexican Crypto-Jewish Song Book offers close examinations of a manuscript written over a 20-year period by Loggie Carrasco, a well-known crypto-Jew from Albuquerque, New Mexico. The manuscript includes a wide range of genres: folklore, memory, ritual practices, genealogy, and most significantly poetry and songs. Although the manuscript remains unpublished, this book utilizes quotations and excepts to enable the reader to have a good understanding of Carrasco’s voice. Focusing on the main genres and themes that shape Carrasco’s manuscripts, the contributors argue that the work is both unique and illustrative of the vitality of crypto-Jewish culture and contemporary understandings of it.
Social Alternatives in Southern Europe and Latin America
This book deals with the evolution of initiatives connected to the social and solidarity economy and their political cultures and educational implications in the south of Europe and in Latin America. Employing a comparative perspective, the contributors present 11 studies of these trajectories in Argentina, Chile, Portugal, France, Italy, Spain, and Catalonia in order to engender familiarity with social tributary practices and projects in the Latin world. As the cyclical crises of capitalism and their resulting inequalities have created proposals of reform and brought them into action, certain shared ideological influences and policies have emerged across these societies. Faced with the interpretative schemes used for the Anglo-Saxon sphere, which have been the usual reference in international research, this volume’s geographical and cultural matrix of analysis helps fill a longstanding gap in this field. The book will be of interest to scholars, educators, and students specialising in the history and political science of the social and solidarity economy sectors, as well as professionals involved in cooperatives, mutual aid societies, and associations.
Disiecta Membra Musicae
Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultu...
Antiquarian Literature in the Sixteenth Century
During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.
Urban Elections and Decision-Making in Early Modern Europe, 1500-1800
Everyday political business in early modern cities took place under many different sources of tension. De facto establishment of the oligarchy in the government collided with the urban community’s expectations of participation and with the responsibility for common welfare which was supposed to be the guideline for policies in the municipal boards. Urban Elections and Decision-Making in Early Modern Europe offers new interpretations of the governmental techniques applied by urban elites to cope with these tensions. Written by leading historians of urban history and based on a broad foundation of previously unpublished research the volume explores the procedures of decision-making in early modern cities from an international and micrological point of view. It examines the attempts of delegating and stabilising power through elections, asks for the different ways of developing and demonstrating consent or dissent within the cities’ walls—urban revolts included—and offers a new theoretical framework to describe and understand these phenomena adequately.
Appearances Matter
The visual turn recovers new pasts. With education as its theme, this book seeks to present a body of reflections that questions a certain historicism and renovates historiographical debate about how to conceptualize and use images and artifacts in educational history, in the process presenting new themes and methods for researchers. Images are interrogated as part of regimes of the visible, of a history of visual technologies and visual practices. Considering the socio-material quality of the image, the analysis moves away from the use of images as mere illustrations of written arguments, and takes seriously the question of the life and death of artifacts – that is, their particular historicity. Questioning the visual and material evidence in this way means considering how, when, and in which régime of the visible it has come to be considered as a source, and what this means for the questions contemporary researchers might ask.
