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The Baroque
First Published in 1978, The Baroque focuses on eight areas where it expressed itself most successfully. The cultural movement called baroque dominated most of the Western Europe from the late sixteenth century to the 1720s. During that long time, it went through various phases, affecting some arts, some countries more than others. There are many overlapping definitions of baroque like from a mode of European painting to a style of architecture or rather a cultural phenomenon which manifested itself most noticeably in the fine and applied arts. In this book each chapter presents a separate exploration of different interlinked facets of this vast and maze-like subject. This book is an interesting read for scholars of European literature.
Günter Grass's Use of Baroque Literature
This is the first study to discuss the affinity between Grass's complete works and baroque literature. Grass's employment of baroque literature is of particular interest because it takes up a tradition from which German literature has long broken away. Alexander Weber's argument moves from an outline of general thematic parallels in the early works to an analysis of the conscious use of baroque literature in Der Butt and Das Treffen in Telgte. He offers both a close reading of Grass and general reflections on how a past literary tradition can be adopted by a modern writer. The study focuses on the themes of vanity, carpe diem, and Senecan Stoicism in the early works; it discusses parallels between the rhetorical structure of the courtly-historical novel and Der Butt and traces the artist's melancholy and baroque allegories in Der Butt and Das Treffen in Telgte.
The German Baroque
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The Baroque Poem
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Problems and Perspectives
The 18 investigations collected in this volume, 4 of which are published for the first time, represent a cross section of the research in German baroque literature by the American scholar, Blake Lee Spahr. Individual issues of «German Baroque Literature» are discussed from a broad perspective, while specific problems are dealt with via a neopositivistic approach which highlights the limitations as well as the possibilities of American research in German literature.
The Baroque in English Neoclassical Literature
In this study, J. Douglas Canfield contends that baroque disruption persists even as English literature becomes more neoclassical. It twists forms and meanings. From paradoxical, mysterious moments in Paradise Lost, amazing metaphorics in Cavendish and Philips, momentous materializations in Waller and Dorset, and revealing displacements in Buckingham and Rochester to outrageous attack in Dryden and Pope, astonishing ventriloquizing in Killigrew and Finch and Montagu, and eccentricity and grotesquerie in Gulliver's Travels - the baroque comes back to disturb neoclassical regularity.--BOOK JACKET.
