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A groundbreaking analysis of how gendered oppression is written into the American legal system Law, Gender, and Injustice: A Legal History of U.S. Woman is a landmark study of how women remain second-class citizens under the current legal system. In this widely acclaimed book, Joan Hoff questions whether the continued pursuit of equality based on a one-size-fits-all vision of traditional individual rights is really what will most improve conditions for women in America. Concluding that equality based on liberal male ideology is no longer an adequate framework for improving women's legal status, Hoff's highly original and incisive volume calls for a demystification of legal doctrine and a reinterpretation of legal texts (including the Constitution) to create a feminist jurisprudence.
Charlie Chaplin grew up in and around the music hall. His parents, aunt and their friends all earned their precarious livings on the stage and Chaplin himself started out his career touring music halls with a dance troupe. His experiences of the culture of the music hall were a major influence, shaping his style of acting and the films he made, most famously Limelight, which tells the story of a failing variety performer and which evoked painful memories of his own past. Chaplin was horrified to see how performers' lives were ruined when their audience turned against them and he was relieved to exchange the stresses of live performance for screen comedy. Barry Anthony here tells the story of...
This passionate and inspiring book by the New York Times bestselling author of The Hello Girls shows us that the quest for women’s rights is deeply entwined with the founding story of the United States. When America became a nation, a woman had no legal existence beyond her husband. If he abused her, she couldn’t leave without abandoning her children. Abigail Adams tried to change this, reminding her husband John to “remember the ladies” when he wrote the Constitution. He simply laughed—and women have been fighting for their rights ever since. Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and...
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"The Strand is one of London's most iconic streets - today the bustling and thriving home of West End theatres and the luxurious Savoy hotel; in the Victorian era, the Strand was a much more seedy and destitute part of the city. Barry Anthony here explores the criminal and socially subversive behaviour which abounded in and around the Victorian Strand. He introduces us to a vast range of personalities - from prostitutes, confidence tricksters, vagrants and cadgers to the actors, comedians and music hall stars who trod the boards of the Strand's early theatres."--Bloomsbury Publishing.
An evil family – a husband, his three sons, and their naive wife – are involved in drugs, prostitution, and child abuse. The policeman seeking to take them down partners with a vigilante sniper who employs various ruthless tactics to eliminate the family members and their equally corrupt female cousin. Meanwhile, a well-intentioned midwife hatches a misguided scheme to swap newborns between wealthy and disadvantaged mothers in an effort to provide the babies better lives. As the plot unfolds, a romantic relationship develops between the policewoman and the sniper, complicating her response to his extra-legal actions. Central to these connected stories is the stately gentleman’s club built with council approval in the small city’s sleepy industrial quarter. With shops on the ground floor and residences above, the building’s fourth level remains strictly off limits, guarded to ensure no one discovers the dark secrets hidden within.