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In One Punch Barry Dickins reflects on the many types of violence that can now affect everyday life. In his heartfelt exploration of the subject, Barry talks to many of the people whom this violence impacts, including the parents of children who have been killed, professionals in the justice system, and children who live in communities where violence is rife. He looks at how the world has changed in his lifetime and discusses where we are going as a society.
It's 1953 and Barry has been sent to stay with Nan and Pop during the school holidays while his mum waits for the new baby. Barry is six-and-three-quarters and 22 Miller Street - the last house Pop built on the West Preston street - proves full of novel experiences: there's going shopping across the Hump at dawn with Nan Dickens ('good isn't it, height,' she says, advising him 'you can look at the stars for nothing'); keeping Pop company in the shed (where he goes for his smoko 'a yellow packet of Havelock was sticking out of his back pocket'); sharing a bed with great aunt Bess (whose Anzacs are 'an indestructible mixture of oats, molassess, wheatgerm and pure will'). Oh, and finding his wa...
Through Dickin's searching interviews, we come to see Brett Whiteley as the diminutive and wriggly schoolboy who drew to escape into the innocent, hopeful world his pictures offered, to his fame and acclaim to the dark, lonely years he spent battling the twin demons of his drug and alcohol addictions.
Lessons in Humility is the bizarre story of Barry Dickins' life as a teacher. He gained his Diploma Of Education at The Melbourne State College forty years ago although he failed Classroom Management. He has taught Drama and Creative Literature to cherubs at a primary school and prayer-composition at a secondary college. The recollection unfolds at the point of doom but cheerfully expands when the author experiences enlightenment when he is put in with Grade Ones forever. Barry Dickins' writing has been called 'The defeat of the desperate by the bizarre' which means of course that his stage characters are inevitably overcome by not themselves but their surroundings. Join the catastrophic but...
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In early 2008, Barry Dickins suffered from insomnia. He went to the doctor, who cited anxiety as the cause and, then, depression. Clinical and severe. He checked in to the Albert Road Clinic, where he was told that he would be there until the joy returned to him. But where was it? The joy eluded Barry for months, so he stayed in the clinic, alongside patients with schizophrenia, bipolar disorders and other traumas, but depression was overriding. Depression that could fell you with a single blow. He took his medication and succumbed to the electroconvulsive therapy, which left him unable to grip a pen and riddled his memory with holes. The experience marked him for good, and is one that more people share than we might like to consider. Written with Barry's inimitable wit, humour and lyricism - and his ability to find the ridiculous and the jubilant amid the pain - Unparalleled Sorrow charts Barry's journey from the lows of the clinic to the small joys of a game of tennis with his young son. It follows the path to depression - via his salad days in St Kilda and the murder of his housemate - and the road out of it.
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