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This book examines the many ways in which anger and indignation shape authorial intentions and determine the products of contemporary Italian artists.
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In The Last Days of Madame Rey, Stephen Raszer—sleuth, scholar, shaman, and private eye—goes to hell and back to save the soul of his client's son, an ambitious and sexually conflicted young lawyer named Fortis Cohn. Fortis has drifted to the wrong side of the karmic tracks, and Raszer has been hired to free him from the spell cast by a neo–Nazi demagogue. On his quest to expose the spiritual hucksters who have duped Fortis, Raszer encounters more than Old and New World mysticism. A series of eerily unnatural earthquakes is rippling through Northern California, and it's possible that the cult behind Fortis's disappearance may be involved. Meanwhile, a cryptic message is left in the hands of a gypsy fortuneteller, and to learn its meaning, Raszer must put his trust in a stunningly sensuous and far too independent–minded operative named April Blessing. He will follow her almost literally to the ends of the earth to unravel the ancient mystery encoded in the gypsy's message. From its pseudo–gnostic predators to its bedazzled souls, The Last Days of Madame Rey is high on humor, rich on adventure, and injected with addictive, heart–stopping suspense.
The publication seeks to establish how information professionals are providing information services in in a sustainable society in an era of information disorder. It also provides the strategic direction to strengthen the global voice of libraries, inspiring and enhancing professional practice as well as enhancing international cooperation and collaboration among LIS educators and practitioners. The contents is divided according to the following key sub-themes that resonate with the title as outlined below: Library and information services in the information age Data and records in an era of information disorder Archives, data curation and preservation in the digital era Data science, analyt...
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