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This volume proposes an interdisciplinary framework that views attention from a particular angle: as a means of accessing, that is, disclosing the world in a practical and meaningful way. Moreover, it investigates how this access is concretely mediated (by technology, culture, environmental conditions). The book is structured in the following two parts: 1) Attention and Access The first section is concerned with attention as such. What is attention and what does it do? A common thread between the expected contributions addresses attention as a directional disclosing process, opening up a possibility of access to the world. This section brings contributions from a cognitive psychology/neurosc...
Postphenomenology is a fascinating investigation of the relationships between global culture and technology. The impressive range of subjects to which Don Ihde applies his skill as a phenomenologist is unified by what he describes as "a concern which arises with respect to one of the now major trends of Euro-American philosophy--its textism." He adds, "I show my worries to be less about the loss of subjects or authors, than I do about [there] not being bodies or perceivers."
Our realisation of how profoundly glaciers and ice sheets respond to climate change and impact sea level and the environment has propelled their study to the forefront of Earth system science. Aspects of this multidisciplinary endeavour now constitute major areas of research. This book is named after the international summer school held annually in the beautiful alpine village of Karthaus, Northern Italy, and consists of twenty chapters based on lectures from the school. They cover theory, methods, and observations, and introduce readers to essential glaciological topics such as ice-flow dynamics, polar meteorology, mass balance, ice-core analysis, paleoclimatology, remote sensing and geophysical methods, glacial isostatic adjustment, modern and past glacial fluctuations, and ice sheet reconstruction. The chapters were written by thirty-four contributing authors who are leading international authorities in their fields. The book can be used as a graduate-level textbook for a university course, and as a valuable reference guide for practising glaciologists and climate scientists.
Don Ihde is one of the world's foremost thinkers on the place of technologies in our lives. Over the course of a long career, he has built a unique and useful perspective by expanding on phenomenological and American pragmatist philosophy and has developed wide-ranging insights and conceptual tools for describing the details of our experience across the various areas of human activity, including scientific practice, anthropological history, computer interface, design, art history, and the technologies of everyday life. The Critical Ihde brings together many of Ihde's most influential writings, as well as a number of under-recognized gems. Across these works are examples of his influential contributions to the phenomenology of human auditory and visual experience, his foundational work on the phenomenology of technology, and his thoughts on the technologies of scientific practice, including laboratory and medical imaging. Further, these chapters reveal the development of "postphenomenology," Ihde's original philosophical perspective, one that continues to flourish today across the work of a growing interdisciplinary and international collective of scholars.
How should we understand the experience of encountering and interpreting images? What are their roles in science and medicine? How do they shape everyday life? Postphenomenology and Imaging: How to Read Technology brings together scholars from multiple disciplines to investigate these questions. The contributors make use of the “postphenomenological” philosophical perspective, applying its distinctive ideas to the study of how images are experienced. These essays offer both philosophical analysis of our conception of images and empirical studies of imaging practice. Edited by Samantha J. Fried and Robert Rosenberger, this collection includes an extensive “primer” chapter introducing and expanding the postphenomenological account of imaging, as well as a set of short pieces by “critical respondents”: prominent scholars who may not self-identify as doing postphenomenology but whose adjacent work is illuminating.
Science is highly dependent on technologies to observe scientific objects. For example, astronomers need telescopes to observe planetary movements, and cognitive neuroscience depends on brain imaging technologies to investigate human cognition. But how do such technologies shape scientific practice, and how do new scientific objects come into being when new technologies are used in science? In How Scientific Instruments Speak, Bas de Boer develops a philosophical account of how technologies shape the reality that scientists study, arguing that we should understand scientific instruments as mediating technologies. Rather than mute tools serving pre-existing human goals, scientific instruments...
This book brings together current advances in high-technology visualisation and the age-old but science-adapted practice of drawing for improved observation in medical education and surgical planning and practice. We begin this book with a chapter reviewing the history of confusion around visualisation, observation and theory, outlining the implications for medical imaging. The authors consider the shifting influence of various schools of philosophy, and the changing agency of technology over time. We then follow with chapters on the practical application of visualisation and observation, including emerging imaging techniques in anatomy for teaching, research and clinical practice - innovati...
The themes of this "Arcjitecture Annual" focuses on how the materials, design, construction and running of a building can affect the environment.
Architecture and urban design are typically considered as a result of artistic creativity performed by gifted individuals. Postphenomenology and Architecture: Human Technology Relations in the Built Environment analyzes buildings and cities instead as technologies. Informed by a postphenomenological perspective, this book argues that buildings and the furniture of cities—like bike lanes, benches, and bus stops—are inscribed in a conceptual framework of multistability, which is to say that they fulfill different purposes over time. Yet, there are qualities in the built environment that are long lasting and immutable and that transcend temporal functionality and ephemeral efficiency. The contributors show how different perceptions, practices, and interpretations are tangible and visible as we engage with these technologies. In addition, several of the chapters critically assess the influence of Martin Heidegger in modern philosophy of architecture. This book reads Heidegger from the perspective of architecture and urban design as technology, shedding light on what it means to build and dwell.
Artificial intelligence. Robot workers. Commercial space travel. These are no longer ideas of science fiction. They are increasingly the headlines in the daily news. From Hollywood to higher education, everyone is racing to figure out how to exploit these new technologies and use them to solve all our problems—especially problems related to another subject dominating headlines: the climate change crisis. Given the existential threat of environmental disaster, we now look to the technologies we once thought impossible to do the impossible, to save us from climate change. Of course, looking to superhuman beings to save us from ourselves is nothing new. This is why turning to Friedrich Nietzsche’s philosophy of nihilism can help us to understand our current predicament, to understand the danger of trying to escape from reality by embracing technological fantasies. This updated edition expands the investigation into the relationship between nihilism and technology to include new topics like why AI doesn’t exist, why ChatGPT shouldn’t exist, and why climate change can’t be solved by nihilism.