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Artificial Arcadia
"New connoisseurs take the opportunities offered by the typically Dutch phenomenon of landscape being continuously adapted to changing demands, always with temporary leftovers awaiting their turn for utilitarian recycling. New ways of thinking about landscape design originate from this specialist landscape use. Bas Princen's arguments take the form of superb photography. The pictures produce awareness about the complex qualities that construct contemporary landscape, such as accessibility, wind direction, water currents and communication networks. In addition the use of certain products, such as kites, mountain bikes and GPS monitors has a bearing on the way in which landscape is understood. Bas Princen enters these landscapes with the slowness, sharpness and precision of a large-format view camera. Although he has a keen eye for user interpretations and has produces over 40 awesome and puzzling pictures, Artificial Arcadia is mainly a book about landscape and its design. Texts by Lars Lerup, Bart Lootsma, Wim Cuyvers, Jeff Derksen and Dirk Sijmons reflect on the photographs and present different views on landscapes in transition" -- Publiarq: publicaciones arquitectura y arte.
Reservoir
Bas Princen (*1975 in Zeeland, the Netherlands) belongs to a generation of photographers who in their very own way make reference to so-called New Topographics. This is a group of what in the meantime consists of ten big-name landscape photographers, including Robert Adams, Lewis Baltz, Stephen Shore, and of course Bernd and Hilla Becher, who had their first big international success in 1975 with an exhibition of the same name at George Eastman House in Rochester. While they distanced themselves from subjectively-tinged photography in an attempt to render stark reality as faithfully as possible, Princen objectifies urban space in a comparable way, but with an ironic twist. Seen through Princen's lens, anonymous urban architecture assumes an almost magical and slightly surrealist air.
Bas Princen. Room of Peace
This edition presents the ?Room of Peace?, first shown as an installation at the 2014 Architecture Biennale in Venice. It is the first in a series of publications by Bas Princen, each dedicated to one photographic project or installation. Here he photographs the Sala della Pace in Siena?s Palazzo Pubblico. By turning off the spotlights used to highlight Ambrogio Lorenzetti?s famous fresco panorama and opening the curtains to daylight, he realised that it is not simply a singular work of art. Rather, it is part of a painted architectural order that fully covers the walls and ceiling. Designed by Joris Kritis, the book includes Princen?s introduction and an essay by Marc Angélil and Cary Siress.
Wiel Arets - Bas Princen
The multi-talented architect Wiel Arets (*1955 in Heerrlen) is also known as a designer, author, and editor of many books and series of books, and is a professor at the arts universities in Berlin, Madrid, and Washington. In this publication he links his interest in architecture to a passion for books. This architecturally ambitious book presents about ten projects by Wiel Arets, Architects (WAA), which was founded in 1993 and has branches in Amsterdam, Berlin, Maastricht, and Zurich. At the same time it is a book about the increasing importance of architecture books and their design development in recent decades. The concentrated photographs by Dutch photographer Bas Princen not only capture the atmosphere of the works and buildings, but also convey the impact and powerful symbolism of architecture in its primeval sense, as protective shelter.
Shooting Space
A visual survey of contemporary artists’ photography of architecture, featuring the work of Andreas Gursky, Iwan Baan, Wolfgang Tillmans, Catherine Opie, Thomas Ruff, Hiroshi Sugimoto, and more. Since the invention of photography, architecture has proved a worthy subject for photographers. Shooting Space: Architecture in Contemporary Photography showcases the relationship between the two practices. The book presents a broad spectrum of work from a diverse roster of renowned and emerging artists: Annie Leibovitz captures the construction of Renzo Piano’s New York Times building; James Welling revisits Philip Johnson’s iconic Glass House; Walter Niedermayr shifts perspectives on SANAA’s sculptural designs. The book is divided into five chapters, covering collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised Modernist icons, and imagined environments. Presenting a fresh study of outstanding work in contemporary architectural photography, Shooting Space not only provides an engaging display of beautiful photography, but will reward the reader with a considered survey of our built environment.
Besides, History
What role can history play in contemporary architecture practice?Rather than adopting a postmodern attitude or evoking past discussions and historical architectural forms, Go Hasegawa, Kersten Geers, and David Van Severen address contemporary issues in their work while remaining in dialogue with history.Even with distinct pasts and contexts, affinities emerge in shared concerns and approaches. In their conversations, history becomes a tool that can be used in production, rather than just an object of study.This book features newly produced plans, sections, models, and perspectives for projects by Go Hasegawa and OFFICE Kersten Geers David Van Severen, juxtaposed with reference material chosen from the CCA Collection. Introduced and annotated by the architects, these images form a visual manifesto for a unique relationship to history.Published after the exhibition, Besides, History: Go Hasegawa, Kersten Geers, David Van Severen at Canadian Centre for Architecture, Montreal (10 May - 15 October 2017).
On Bramante
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice In On Bramante, architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome...
Shelter for Roman Ruins I Peter Zumthor
Film stills of "Shelter for Roman Ruins I Peter Zumthor", a documentary film of Shelter for Roman Ruins in Chur, designed by Pritzker Prize winner Swiss architect Peter Zumthor in 1986.
Seamless
During the past fifty years, documentary photography and architecture have become increasingly interdependent, blurring the disciplinary boundary between the two. Seamless looks at the work of a new generation of European photographers and architects working together to produce images of architecture made from fragments of reality. At the same time, it investigates how shared digital technologies influence the creation of architecture and its photographic representation through images. Based on a series of interviews, Seamless discusses the collaborations between Filip Dujardin and Jan De Vylder, Philipp Schaerer and Roger Boltshauser, and Bas Princen and OFFICE Kersten Geers David van Severen. Each of the three sections is illustrated with a series in images that form parallel narratives within the book. In the concluding essay, architect Jes s Vassallo pulls together the treads of the conversations to investigate questions about the impact of digital technology on the value assigned to images, how shared technological platforms enhance the influence photographers and architects have on each other, and why they have often chosen to focus on the dirty realism of the urban spaces.
