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Through oral histories, interviews and fictional retellings, 'Bengal Partition Stories' unearths and articulates the collective memories of a people traumatised by the brutal division of their homeland.
This volume brings together new research on the developing and transforming literary scape in South Asia in the aftermath of the partitions of 1947 and 1971. It thematically explores the transformations that have taken place in the literary spheres of India, Pakistan and Bangladesh, since violence and irresolvable conflicts wreaked the subcontinent, through the narratives of loss and longing. The volume deals with key themes such as feminism, minorities and marginality, vernacular history, Bengali literary representations, and post-Partition artistic and literary representations. It contributes towards fostering a network for academic exchange across the borders thereby presenting diverse and in-depth studies on a plethora of subjects within the larger framework of literary landscapes. Narratives of Loss and Longing will be of interest to scholars of literary studies, postcolonial and decolonial studies, partition studies, minority studies, refugee studies, gender and women's studies and those interested in South Asia, especially India, Pakistan and Bangladesh.
The Ganges and the Tay, the largest water courses in their two countries, are sources of life, conflict and industrial and historical change. "The Ganga and the Tay" is an epic concrete poem in which the River Ganges and the River Tay relate the historical importance of the ties between India and Scotland and their contemporary relevance as a natural symbol of continuity and peace. The poem is illustrated with beautiful photographs of both great rivers, which explore their shared, but unique, personalities through their histories, geographies, mythologies and environments.
Bashabi Fraser commemorates her mother and the conversations they would have together. Exploring themes of motherhood, empowerment, love and loss, the acclaimed poet draws on her Indian and British life experience, engaging with hard-hitting current issues such as climate change, war and the prevalence of violence against women worldwide.
A transnational collection of 'Pandemic Poetry' and paintings which, among other themes, compares India with Scotland. Vibha's oil paintings complement Bashabi's evocative poetry.
A testimony to a great friendship, this work shows how 'The Twain', the East and West, can meet. These letters show how Patrick Geddes, the Scots polymath and Rabindranath Tagore, the Indian Nobel Laureate, exchange, comment on and share ideas on education, the environment, rural reconstruction.
Polymath Rabindranath Tagore was the first non-European to be awarded the Nobel Prize for Literature in 1913. But Tagore was much more than a writer. Through his poems, novels, short stories, poetic songs, dance-dramas, and paintings, he transformed Bengali literature and Indian art. He was instrumental in bringing Indian culture to the West and vice versa, and he strove to create a less divided society through mutual respect and understanding, following the example of his great contemporary and close friend, Mahatma Gandhi. In this timely reappraisal of Tagore’s life and work, Bashabi Fraser assesses Tagore’s many activities and shows how he embodies the modern consciousness of India. She examines his upbringing in Bengal, his role in Indian politics, and his interests in international relationships. Taking a holistic perspective, she also addresses some of the misreadings of his extraordinary life and work.
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This collection pushes migration and "the minor" to the fore of literary anthropology. What happens when authors who thematize their “minority” background articulate notions of belonging, self, and society in literature? The contributors use “interface ethnography” and “fieldwork on foot” to analyze a broad selection of literature and processes of dialogic engagement. The chapters discuss German-speaking Herta Müller’s perpetual minority status in Romania; Bengali-Scottish Bashabi Fraser and the potentiality of poetry; vagrant pastoralism and “heritagization” in Puglia, Italy; the self-representation of European Muslims post 9/11 in Zeshan Shakar’s acclaimed Norwegian no...