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Art for the Middle Classes
  • Language: en
  • Pages: 231

Art for the Middle Classes

How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print shops, Americans relied on mass-circulated illustrated magazines. One group of magazines in particular, known collectively as the Philadelphia pictorials, circulated fine art engravings of paintings, some produced exclusively for circulation in these monthlies, to an eager middle-class reading audience. These magazines achieved print circulations far exceeding those of other print media (such as illustrated gift books or catalogs from art-union membership organizations). Godey's, Graham's, Peterson'...

Journal of Library History, Philosophy, and Comparative Librarianship
  • Language: en
  • Pages: 594

Journal of Library History, Philosophy, and Comparative Librarianship

  • Type: Book
  • -
  • Published: 1982
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  • Publisher: Unknown

None

Time & Tide
  • Language: en
  • Pages: 160

Time & Tide

  • Type: Book
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  • Published: 1996
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  • Publisher: Unknown

None

Architecture of Sovereignty
  • Language: en
  • Pages: 380

Architecture of Sovereignty

In this innovative study, Gita V. Pai traces the history of the Pudu Mandapam (Tamil, 'new hall') – a Hindu temple structure in Madurai – through the rise and fall of empires in south India from the seventeenth century to the present. This wide-ranging work illustrates how south Indian temples became entangled in broader conflicts over sovereignty, from early modern Nayaka kings, to British colonial rule, to the post-independence government today. Drawing from methodologies in anthropology, religious studies, and art and architectural history, the author argues that the small temple site provides profound insight into the relationship between aesthetics, sovereignty, and religion in modern South Asia.

Subject Catalog
  • Language: en
  • Pages: 1006

Subject Catalog

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

Library of Congress Catalogs
  • Language: en
  • Pages: 972

Library of Congress Catalogs

  • Type: Book
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  • Published: 1980
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  • Publisher: Unknown

None

Steel-Engraved Book Illustration in England
  • Language: en
  • Pages: 284

Steel-Engraved Book Illustration in England

  • Categories: Art

First published in 1980, Steel-Engraved Book Illustration in England is a detailed and comprehensive survey of the steel engravings that were so popular in the nineteenth century. With an extensive range of illustrations, the book refutes the assumption that steel engravings are of little artistic value or importance, a common attitude rooted largely in the connection between steel engravings and mass-produced books. Beginning with an exploration of the identification problems and early history of steel engravings, it moves through the production and printing of the plates and on to a study of several engravers and artists, as well as of the books themselves. Steel-Engraved Book Illustration in England will appeal to anyone interested in the history of printing and illustration.

A Bibliographic History of the Book
  • Language: en
  • Pages: 446

A Bibliographic History of the Book

"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920

Antiquarian Book Monthly Review
  • Language: en
  • Pages: 1286

Antiquarian Book Monthly Review

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

None

Picturing Scotland through the Waverley Novels
  • Language: en
  • Pages: 237

Picturing Scotland through the Waverley Novels

  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

Innovative and accessibly written, Picturing Scotland examines the genesis and production of the first author-approved illustrations for Sir Walter' Scott's Waverley novels in Scotland. Consulting numerous neglected primary sources, Richard J. Hill demonstrates that Scott, usually seen as disinterested in the mechanics of publishing, actually was at the forefront of one of the most innovative publishing and printing trends, the illustrated novel. Hill examines the historical precedents, influences, and innovations behind the creation of the illustrated editions, tracking Scott's personal interaction with the mechanics of the printing and illustration process, as well as Scott's opinions on v...