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Imagined Battles
For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.
Artful Armies, Beautiful Battles
"Readership: All those interested in the history of art, warfare, and politics in the early modern period, including graduate students, academics, and institutes focused on early modern history and culture."--BOOK JACKET.
Don Troiani's American Battles
A collection of drawings by Don Troiani that offers a tour of America's military past, recreating key military battles that took place in America during the eighteenth and nineteenth centuries.
The Art of Fighting
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A Combat Artist in World War II
A WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir. Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful...
Edward Armitage RA
Edward Armitage was a highly-esteemed 19th century artist who lived and worked at a time when the social fabric of Britain was being transformed by the Industrial Revolution and attitudes towards art were changing in favour of genres more appealing to the emerging middle classes. Coinciding with the 2017 bicentenary of Armitage’s birth, the book is based on Jill Armitage’s extensive research into her relative’s life and work. Born in 1817 to a family of wealthy northern industrialists, Edward Armitage trained in Bohemian Paris before making his name in Britain as one of the artists chosen to redecorate the new Houses of Parliament. He was one of the first artists to make the long journ...
The War of Art
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The Shape of Battle
One of our most distinguished military historians tells the story of six defining battles . . . Every battle is different. Each takes place in a different context - the war, the campaign, the weapons. However, battles across the centuries, whether fought with sticks and stones or advanced technology, have much in common. Fighting is, after all, an intensely human affair; human nature doesn't change. So why were battles fought as they were? What gave them their shape? Why did they go as they did: victory for one side, defeat for the other? In exploring six significant feats of arms - the war and campaign in which they each occurred, and the factors that determined their precise form and cours...
Artful Armies, Beautiful Battles
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
