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What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.
For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.
Edward Armitage was a highly-esteemed 19th century artist who lived and worked at a time when the social fabric of Britain was being transformed by the Industrial Revolution and attitudes towards art were changing in favour of genres more appealing to the emerging middle classes. Coinciding with the 2017 bicentenary of Armitage’s birth, the book is based on Jill Armitage’s extensive research into her relative’s life and work. Born in 1817 to a family of wealthy northern industrialists, Edward Armitage trained in Bohemian Paris before making his name in Britain as one of the artists chosen to redecorate the new Houses of Parliament. He was one of the first artists to make the long journ...
A collection of drawings by Don Troiani that offers a tour of America's military past, recreating key military battles that took place in America during the eighteenth and nineteenth centuries.
"Readership: All those interested in the history of art, warfare, and politics in the early modern period, including graduate students, academics, and institutes focused on early modern history and culture."--BOOK JACKET.
This book is an exposition of the work of Renaissance war artists, reflecting the ways in which they responded, often independently of patrons, to the facts of war, its nature and causes and to the common soldier. There is an emphasis on German and Italian artists illustrating their divergent artistic focuses.
No one man can win a battle by himself, but battles have been won and lost because of the strength or failings of one individual: the leader. What went on in the minds and hearts of a select group of military leaders at critical moments in battle is the theme of this book. In Leaders and Battles, W. J. Wood re-creates ten battles from history, depicting the action in vivid detail—the brilliant formations, charging horses, clanking bayonets. The point of view is always that of the commanding officer. The particular quality of leadership that won—or lost—the encounter is very clear. For Mad Anthony Wayne at Stony Point, it was courage that won the day. For Scipio Africanus at Ilipa, it w...
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A WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir. Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful...
A compelling tale of art, love and war... A man lives alone in a watchtower by the sea. On the circular walls of the tower he is painting a grand mural - the timeless landscape of a battle. He is a former war photographer, and the painting is his attempt to capture the photo he was never able to take; to encapsulate, in an instant, the meaning of war. But one day a stranger knocks on his door and announces that he has come to kill him. The man is a shadow from his past, one of the myriad faces of war, and now the consequences of his actions are brought home to him. As the novel progresses, the story of both the soldier and the artist emerge, entwined with a doomed love affair, and the progress of a painting that is infused with the history of art. Intense and turbulent this is a book about art, war, love and the human capacity for both violence and empathy. It asks very profound questions about human nature and the role of the artist, but it is also has the intensity of a psychological thriller as the painter trades stories with the man who has come to kill him - like the Knight playing chess with Death in the Seventh Seal....