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Born in Colombia, South America, Horacio Cifuentes attended various dance academies in Spain, Poland and the United States. Among them, the prestigious American Balet Theatre School and the San Francisco Ballet School. Michael Smuin, director of the San Fransisco Ballet discovered Horacio and featured him in various key roles in the dance company, where he also worked with international choreographers such as Jiry Kylian, Robert North and Arthur Mitchell. Horacio was inspired by American bellydance pioneer Magana Baptiste to become an oriental dancer. Under her guidance he followed extensive studies into the mystical world of yoga, spiritual dance and belly dance. His story is full of fascinating anecdotes, humor, tragedy and brings with it a profound spiritual depth. Horacio Cifuentes resides in Berlin, Germany, where he co-directs a dance academy with his wife and dance partner, Beata Cifuentes.
The EDA Handbook for Middle Eastern Dance provides an introduction to the most significant aspects of Egyptian Raqs Sharki as taught at the EDA under academy dean DaVid of Scandinavia.
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Автор более двадцати лет посвятил танцам, пройден долгий путь от начинающего танцора до сложившегося артиста и профессионала. В данной книге собраны мои размышления по различным вопросам, касающимся танцев. Книга может быть полезной и интересной всем, кто увлекается искусством.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers Oriental dance, known as belly dance or danse du ventre, regional or group-specific dances and rituals, sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals.