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Held Together with Water
The recently founded (2004) and very actively acquisitive Verbund Collection integrates contemporary American and European art with works created since 1970. Its two central areas of interest are pieces exploring ideas of performance or space and place. Under the rubric of performance, Verbund, funded by the German power company of the same name, has gathered a substantial block of early Cindy Sherman, along with works by Valerie Export, Birgit Jürgenssen, Francesca Woodman, Sarah Lucas, Urs Lüthi, Gilbert and George and Gillian Wearing. Under the rubric of "spaces/places," holdings range from the works of Gordon Matta-Clark, which intervene in existing architectural structures, through Fred Sandback's Minimalist drawings in thread, to the organically formed objects of Ernest Neto, and include Louise Lawler, Bernd and Hilla Becher, Jeff Wall, Teresa Hubbard and Alexander Birchler, Simon Starling, Janet Cardiff and George Bures Miller, Gabriel Orozco and Loan Nguyen.
Why Art Criticism? A Reader
Contemporary theorists discuss the unique achievements and virtues of their favorite art writers This reader puts into conversation a diverse range of perspectives in art theory and history, with texts from the 18th century to the present. Editors Beate Söntgen and Julia Voss have invited art theorists from various backgrounds to discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? What makes them extraordinary? What can we learn from their writings today? Among the contributors are: Beate Söntgen on Denis Diderot; Johannes Grave on Clemens Brentano; Julia Voss on Bertha Zuckerka...
Interiors and Interiority
Veranschaulichungsformen von Innerlichkeit finden in der Moderne in Darstellungen des Interieurs ihr prägnantes Bild. Die Beiträger der Publikation untersuchen die Verbindungen zwischen architektonischen Innenräumen, visuellen und literarischen Darstellungen von Interieurs und dem Konzept der Innerlichkeit vom 18. Jahrhundert bis heute. Jene Darstellungen sind Effekt, aber auch Produzenten spezifischer Vorstellungen von Innerlichkeit als einer, wenn nicht der subjektkonstituierenden Praxis der Moderne.
Francesca Woodman
Since its foundation in 2004, the Sammlung Verbund has, as part of its focus on the feminist avant-garde of the 1970s, acquired 65 photographs by Francesca Woodman (1958-1981), more than ten of which have never been published. This book breaks away from the common perception that Francesca Woodman anticipated her early death in her work. Instead, a new horizon of interpretation is opened up. For the first time, her photographs are read in the context of the photographic tableaux vivant. Francesca Woodman uses her body, both as medium and protagonist, and devotes herself to two genres that are traditionally associated with femininity: the female nude and the tableau vivant. In addition, her vintage prints are examined for the first time, as well as her specific placement of the image on the photographic paper. The playful, often surreal and symbolic gestures in Francesca Woodman's work show her curiosity for the feminine self. Her photographs pose questions on this theme, suggest answers and reflect on a specific ambivalence towards being a woman. All of the photographs are reproduced in their original sizes for the first time.
Texte zur Kunst
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Realismus
Das reich illustrierte Katalogbuch erschliesst ein seit langem offenes Themengebiet der Kunst und zeigt eine Problematik, die bis an die Horizonte der virtuellen Welten unserer Tage reicht. Ausstellung: Kunsthalle Emden, 31.1.-24.5.2010; Kunsthalle der Hypokulturstiftung München, 11.6.-5.9.2010.
Critique
"Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to "build on the structure through demolition" (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ["Darstellung"]. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices hav...
Les inrockuptibles
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Figurationen
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