Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cultures of Contagion
Contagion as process, metaphor, and timely interpretive tool, from antiquity to the twenty-first century. Cultures of Contagion recounts episodes in the history of contagions, from ancient times to the twenty-first century. It considers contagion not only in the medical sense but also as a process, a metaphor, and an interpretive model--as a term that describes not only the transmission of a virus but also the propagation of a phenomenon. The authors describe a wide range of social, cultural, political, and anthropological instances through the prism of contagion--from anti-Semitism to migration, from the nuclear contamination of the planet to the violence of Mao's Red Guard. The book procee...
Pathos in Late-Medieval Religious Drama and Art
Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.
Affective and Emotional Economies in Medieval and Early Modern Europe
This book analyzes how acts of feeling at a discursive, somatic, and rhetorical level were theorized and practiced in multiple medieval and early-modern sources (literary, medical, theological, and archival). It covers a large chronological and geographical span from eleventh-century France, to fifteenth-century Iberia and England, and ending with seventeenth-century Jesuit meditative literature. Essays in this book explore how particular emotional norms belonging to different socio-cultural communities (courtly, academic, urban elites) were subverted or re-shaped; engage with the study of emotions as sudden, but impactful, bursts of sensory experience and feelings; and analyze how emotions are filtered and negotiated through the prism of literary texts and the socio-political status of their authors.
Interior Design on Edge
Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory. The essays in this volume explore these questions in history, theory, and praxis through a focus on different periods, cultures, and places. Interior Design on Edge showcases new scholarship that expands and contests traditional relationships between architecture, interiors, and the people that use and design them, provoking readers to consider the interior differently, moving beyond its traditional, architectural definition. Focusing on the concept of interiority considered in a wider sense, it draws on interdisciplinary modes of investigation and analysis and reflects the latest theoretical developments in the fields of interior design history and practice. With new research from both established and emerging authors, this volume will make a valuable contribution to the fields of Interior Design, Architecture, Art and Design History, Cultural History, Visual Culture Studies, and Urban Studies.
Daemons Are Forever
A richly illustrated tapestry of interwoven studies spanning some six thousand years of history, Dæmons Are Forever is at once a record of archaic contacts and transactions between humans and protean spirit beings—dæmons—and an account of exchanges, among human populations, of the science of spirit beings: dæmonology. Since the time of the Indo-European migrations, and especially following the opening of the Silk Road, a common dæmonological vernacular has been shared among populations ranging from East and South Asia to Northern Europe. In this virtuoso work of historical sleuthing, David Gordon White recovers the trajectories of both the “inner demons” cohabiting the bodies of ...
Cultures of Compunction in the Medieval World
Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society. Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.
Cultures of Compunction in the Medieval World
Introduction, Graham Williams (University of Sheffield, UK) and Charlotte Steenbrugge (University of Sheffield, UK) -- 1. Crying out with the Compunction of the Prodigal Son: Byzantine Hymns, Liturgical Emotions and Icons of Repentance, Andrew Mellas (St Andrew's Theological College, Australia) -- 2. Repenting in their Own Words: Old English Vocabulary for Compunction, Contrition, and Penitence, Daria Izdebska (Liverpool Hope University, UK) -- 3. A Concept with Relevance? Compunction in Old Norse-Icelandic Literature, Roland Scheel (University of Gottingen, Germany) -- 4. William of Auvergne and Compunction: Describing the World through Metaphors, Béatrice Delaurenti -- 5. Sea-Water in Flame: Compunction in the Lambeth and Trinity Homilies, Ayoush Lazikani (University of Oxford, UK) -- 6. The Expressions of Remorse in Old and Middle French Literature, Corinne Denoyelle (University of Grenoble-Alpes, France) and translated by Emily Reed -- 7. Peter's Three Tears, Véronique Plesch (Colby College, USA) -- Bibliography -- Index.
The Medieval Translator
The documents examined here each bear witness to the transformations they have undergone when, changing language, style or period, they changed audience. The richness of the domains covered, the highly technical analysis, and the consideration given to questioning modern translation techniques, illustrate the remarkable vitality of current studies relating to the multiple aspects of the translation of medieval documents. French and English text.
