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Adriana Hölszky
None
Musikgeschichten, Vermittlungsformen
Interdisziplinär und quer zu bestehenden Denkmustern - wie Beatrix Borchards musikwissenschaftliches Wirken - sind die Beiträge in dieser Festschrift zum 60. Geburtstag der Jubilarin versammelt. Genderorientierte Fragestellungen und biografische Spurensuchen sind ebenso zu finden wie musikhistorische Einzelthemen und kulturwissenschaftliche Fragen. Die Beiträge knüpfen damit nicht nur an die Themenpalette Beatrix Borchards an, sondern einige von ihnen entstanden auch im Kontext mit ihren innovativen Veranstaltungskonzepten und interdisziplinären Studien- und Forschungsprojekten. Mit Beiträgen von Regina Back, Cornelia Bartsch, Martina Bick, Jan Brachmann, Gudrun Föttinger, Rebecca Grotjahn, Barbara Hahn, Michael Heinemann, Christin Heitmann, Hans Joachim Hinrichsen, Katharina Hottmann, Bettina Knauer, Annette Kreutziger-Herr, Norbert Meurs, Verena Naegele, Gerd Nauhaus, Kirsten Reese, Eva Rieger, Susanne Rode-Breymann, Richard Sorg, Melanie Stier, Melanie Unseld, Krista Warnke und Silke Wenzel.
Classical Concert Studies
Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future. Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.
Women in Music
First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.
Sisters
Harlot, pious martyr, marriage breaker, obedient sister, prophetess, literate woman, agent of the devil, hypocrite. These are some qualifications of the image of Anabaptist/Mennonite women, from a wide array of perspectives. Over the ages they became both negative and positive stereotypes, created by either opponents or sympathizers, as a means of demonizing or promoting the dissident, radical free church movement. This volume explores the characteristics, backgrounds and effects of the collective perceptions of Anabaptist/Mennonite women, as well as their self-understanding, from the sixteenth into the nineteenth centuries, in a variety of case studies. This is not a gender study in the traditional sense. The theory of imagology sets the stage for the interpretation of the image of the European Mennonite sisters, acting within their religious, moral, cultural and social landscapes of Austria, Belgium, Germany, the Netherlands, Poland, Switzerland, and the Ukraine (tsarist Russia).
The Cambridge Companion to Women Composers
Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
Hensel: String Quartet in E flat
Explores the unique qualities of Fanny Hensel's String Quartet and how it sits within wider scholarly discussion about female composers.
Clara Schumann Studies
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
The Creative Worlds of Joseph Joachim
Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian verna...
Pauline Viardot-Garcia
Unermudliche Arbeitslust, universelle Musikalitat, Leichtigkeit, Witz und Humor kennzeichnen eine der einflussreichsten Musikerinnen des 19. Jahrhunderts. Pauline Viardot-Garcia (1821-1910) war Sangerin, Gesangslehrerin, Komponistin, Arrangeurin, Pianistin, Organistin, Volksmusiksammlerin, Herausgeberin und Veranstalterin, sie verknupfte unterschiedliche Kulturen und musikalische Sprachen miteinander - eine wahrhaft europaische Erscheinung. Die Forschungen, die diesem Buch zugrunde liegen, haben eine Fulle neuer Quellen zu Tage gefordert, vor allem Kompositionen, Bearbeitungen, Niederschriften, Skizzen und Briefe. Sie erlauben einen neuen Blick auf Leben und Arbeit der Pauline Viardot-Garcia."
