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Diagnóstico diferencial para graduação médica
Livreto publicado como resultado da Monitoria 2022.2 – 2023.1 CHA V de Oftalmologia, cujo objetivo foi facilitar o processo de ensino-aprendizagem do 5º semestre da graduação médica do Centro Universitário Christus – UNICHRISTUS.
The Making of a Court Society
Table of contents
Industrial Park
A member of Brazil's avant-garde in its heyday. Patr�cia Galv?o (or to use her nickname, Pagu) was extraordinary. Not only was her work among the most exciting and innovative published in the 1930s, it was unique in portraying an avant-garde woman's view of women in Sao Paulo during that audacious period.øIndustrial Park, first published in 1933, is Galv?o's most notable literary achieve-ment. Like D”blin's portrayal of Berlin in Alexanderplatz or Biely's St Petersburg, it is a book about the voices, clashes, and traffic of a city in the middle of rapid change. It includes fragments of public documents as well as dialogue and narration, giving a panorama of the city in a sequence of col...
Pablo Escobar
The mind-blowing true story of Pablo Escobar and the Medellin Cartel beyond their portrayal on Netflix. Colombian drug lord Pablo Escobar was a devoted family man and a psychopathic killer; a terrible enemy, yet a wonderful friend. While donating millions to the poor, he bombed and tortured his enemies - some had their eyeballs removed with hot spoons. Through ruthless cunning and America's insatiable appetite for cocaine, he became a multi-billionaire, who lived in a $100-million house with its own zoo. Pablo Escobar: Beyond Narcos demolishes the standard good versus evil telling of his story. The authorities were not hunting Pablo down to stop his cocaine business. They were taking over it. Shaun Attwood's War on Drugs trilogy - Pablo Escobar, American Made, and We Are Being Lied To - is a series of harrowing, action-packed and interlinked true stories that demonstrate the catastrophic consequences of drug prohibition."
Blacks & Whites in São Paulo, Brazil, 1888-1988
In Buried Indians, Laurie Hovell McMillin presents the struggle of her hometown, Trempealeau, Wisconsin, to determine whether platform mounds atop Trempealeau Mountain constitute authentic Indian mounds. This dispute, as McMillin subtly demonstrates, reveals much about the attitude and interaction - past and present - between the white and Indian inhabitants of this Midwestern town. McMillin's account, rich in detail and sensitive to current political issues of American Indian interactions with the dominant European American culture, locates two opposing views: one that denies a Native American presence outright and one that asserts its long history and ruthless destruction. The highly reflective oral histories McMillin includes turn Buried Indians into an accessible, readable portrait of a uniquely American culture clash and a dramatic narrative grounded in people's genuine perceptions of what the platform mounds mean.
