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THE STORY: This devastatingly funny one act follows a day in the life of Sam Peliczowski, an out-of-work actor who mans the red-hot reservation line at Manhattan's number-one restaurant. Coercion, threats, bribes, histrionics--a cast of desperate callers w
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
As Mahmood approached them, Jimmy saw what was in Mahmood's good hand. He knew what it was. Mahmood used such devices frequently on his captives and had used such a device on Jimmy before. Jimmy screamed louder in rage and frustration. "I do not want that on my head." He tried to move away from Mahmood but made little progress because of the handcuffs. Mahmood reached over to try to put the device on. Jimmy bent his head away from Mahmood in order to avoid the device. Jimmy was unsuccessful and the device went on. When the sphere touched the top of his head, it flowed out in all directions, assuming a more flattened shape. It stuck to his head despite the fact that he used his free hand to try to pull it off. He started sobbing. All his movements gradually started getting slower and slower. He appeared to get weaker and weaker, which he was. The violent emotions shown on his face became more subdued. He began to get lethargic. He slowly sank to the floor.
In this vivid portrait of life in Chicago in the fifty years after the Civil War, Margaret Garb traces the history of the American celebration of home ownership. As the nation moved from an agrarian to an industrialized urban society, the competing visions of capitalists, reformers, and immigrants turned the urban landscape into a testing ground for American values. Neither a natural progression nor an inevitable outcome, the ideal of home ownership emerged from the struggles of industrializing cities. Garb skillfully narrates these struggles, showing how the American infatuation with home ownership left the nation's cities sharply divided along class and racial lines. Based on research of real estate markets, housing and health reform, and ordinary homeowners—African American and white, affluent and working class—City of American Dreams provides a richly detailed picture of life in one of America's great urban centers. Garb shows that the pursuit of a single-family house set on a tidy yard, commonly seen as the very essence of the American dream, resulted from clashes of interests and decades of struggle.
The Novel and the Obscene challenges our vision of early twentieth-century America as sexually progressive by identifying a resonant silence at the heart of the modernist American novel—a narrative mode that renders censorship symbolic at the very moment of its legal demise.
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Poetry. "I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page." With these words, Kenneth Goldsmith embarked upon a project which he termed "uncreative writing", that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. "When I reach 40, I hope to have cleansed myself of all creativity"-Kenneth Goldsmith.
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First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
The power of music to influence mood, create scenes, routines and occasions is widely recognised and this is reflected in a strand of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few attempts to specify this power empirically and to provide theoretically grounded accounts of music's structuring properties in everyday experience. Music in Everyday Life uses a series of ethnographic studies - an aerobics class, karaoke evenings, music therapy sessions and the use of background music in the retail sector - as well as in-depth interviews to show how music is a constitutive feature of human agency. Drawing together concepts from psychology, sociology and socio-linguistics it develops a theory of music's active role in the construction of personal and social life and highlights the aesthetic dimension of social order and organisation in late modern societies.