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First published in 1996. A ten-hour tale, long enough to fill a night in the telling, artful enough to keep all its listeners eagerly awake: such marathon narratives constitute a recurrent theme found in folktales worldwide. This entire book records, annotates and interprets one such rare performance, by Behcet Mahir. a man who joins great storytellers whose art has survived their deaths and transcended their native communities to become the shared heritage of a worldwide audience of lovers of oral tales.
First published in 1996. A ten-hour tale, long enough to fill a night in the telling, artful enough to keep all its listeners eagerly awake: such marathon narratives constitute a recurrent theme found in folktales worldwide. This entire book records, annotates and interprets one such rare performance, by Behcet Mahir. a man who joins great storytellers whose art has survived their deaths and transcended their native communities to become the shared heritage of a worldwide audience of lovers of oral tales.
The World of Asian Stories is a continuing campaign for storytelling as an effective and non-intrusive tool for sensitisation. This omnibus of stories and storytelling traditions from 43 countries across Asia provides an overview of methods and the multitude of stylistic variations. The book then embarks on a journey through fast-changing landscapes of unique, yet unifying cultural experience, presented through the distinctive voices of people. The focus is on the individual over the din of the dominant. This resource book invites teachers, parents and children to explore storytelling at home and in school. It introduces the reader to basic guidelines, offers tips and suggestions on technique, and provides an abundant pool of stories to draw from and activities to contextualise them. The visuals, too, offer a wealth of reference points. Illustrations are quirky and perceptive, subtly acquiring the flavours of the lands through which they journey. They complement the (sometimes whimsical) vagaries of the stories, creating an ambience of truthful, unassuming and straight-from-the heart storytelling.
Winner of the 2003 Ohio Academy of History Outstanding Publication Award This revisionist study reevaluates the origins and foundation myths of the Faqaris and Qasimis, two rival factions that divided Egyptian society during the seventeenth and eighteenth centuries, when Egypt was the largest province in the Ottoman Empire. In answer to the enduring mystery surrounding the factions' origins, Jane Hathaway places their emergence within the generalized crisis that the Ottoman Empire—like much of the rest of the world—suffered during the early modern period, while uncovering a symbiosis between Ottoman Egypt and Yemen that was critical to their formation. In addition, she scrutinizes the factions' foundation myths, deconstructing their tropes and symbols to reveal their connections to much older popular narratives. Drawing on parallels from a wide array of cultures, she demonstrates with striking originality how rituals such as storytelling and public processions, as well as identifying colors and emblems, could serve to reinforce factional identity.
Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old English, Old High German, and Old French and that they can offer scholars new insights into the oral background of these medieval texts.Reichl draws on his research in Central Asia to discuss questions regarding performance as well as the singers' training, role in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song...
This comparative investigation is focused on the comparison of contents, themes, topics, motives, but also symbolism, stereotype situations, patterns of behavior etc. of sung and narrated oral text in South-east Europe. Great importance was given to bibliography, usually difficult to compile in a time-consuming process; a separate part at the end of the volume is dedicated to a bibliographie résonée, arranged according to countries and genres; this will facilitate further and more specific research in special fields of interest. This book offers for the first time a comparative survey of nearly all genres of the traditional oral folklore of Southeast Europe, independent from language, ethn...
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Review text: "Der Band bietet wiederum eine Fülle von Informationen, die nicht nur für Erzählforscher, Philologen und Ethnologen, sondern auch für alle interessierten Laien wertvoll sind."Leander Petzoldt in: Germanistik Redaktion 2011, Band 52, Heft 1-2.