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Anna
Co-created by playwright Ella Hickson with sound designers Ben and Max Ringham, ANNA unfolds with all the tension of a spy thriller, and the inexorable revelations of an Ibsen play.
FCC Record
None
The New Wave of British Women Playwrights
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
The World of Extreme Happiness
When Sunny is born in rural China, her parents leave her in a slop bucket to die because she's a girl. She survives, and at 14 leaves for the city, where she works a low-paying factory job and attends self-help classes to improve her chances at securing a coveted office position. When Sunny's attempts to pull herself out of poverty lead to dire consequences for a fellow worker, she is forced to question the system she's spent her life trying to master – and stand up against the powers that be. Savage, tragic and desperately funny, The World of Extreme Happiness is a stirring examination of a country in the midst of rapid change, and individuals struggling to shape their own destinies.
TD & T.
None
With the Rogue's Company
Production story of Shakespeare's two most admired history plays at the National Theatre.
Theatre Music and Sound at the RSC
This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare’s plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.
Tim Crouch: Plays One
Includes the plays The Author, England, An Oak Tree and My Arm. My Arm '...he is actually exploring on stage the nature of art and performance itself, taking risks in the process... At these moments, Crouch is armed and dangerous.' Guardian An Oak Tree 'Pirandello for a modern audience and better. It's philosophy inaction, playful and seriously thought-provoking.' Independent on Sunday ENGLAND '...created with rigorous, poetic economy... ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.' New York Times The Author 'This is not audience participation; it is the audience at once being the theatre and interrogating it.' Financial Times
Shakespeare in the Theatre: Nicholas Hytner
"Part of the series Shakespeare in the Theatre, this book examines the work of renowned theatre director Nicholas Hytner (Artistic Director of the National Theatre from 2003-2015). Featuring case studies of Hytner's Shakespeare productions and interviews with actors, designers, directors and other practitioners with whom Hytner has worked, it explores Hytner's own productions of Shakespeare's plays within their respective socio-cultural contexts and the context of Hytner's other directing work, and examines his working practices and the impact of his Artistic directorship on the centrality of Shakespeare within the repertoire of the National Theatre." --Publisher description.
