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The Belgian surrealist artist René Magritte (1898–1967) is well known for his thought-provoking and witty images that challenge the observer’s preconditioned perceptions of reality. Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheimare representative examples of Magritte's interarts dialog with literary figures. Despite these convergences the titles subvert the images in his paintings. It is the two images together, the image in the painting and the image in the title, that expresses the aesthetics of Surre...
Valley of Roses is a four-part novel and fictional memoir based on the narrator's flashbacks to a quasi-mythical country -- a garden of innocence and plenty that has been or will be ravaged by war. Aaron, an American, reflects on the happiness of earlier, idyllic times, and he relives his love for Zhivka, his friendship with Dimcho, separation, and the subsequent Communist takeover of Bulgaria. This is a novel about faith, politics, art and survival and it is composed of events and reminiscences that paint an ongoing picture of joy, loss and retrieval. Bulgaria is famous for its attar of roses that is distilled from the petals. The art of this fiction is distilled from life, and its love story is distilled from the heart when German forces occupied the Balkans during WWII and the loves, lives and friendships of Americans and Bulgarians were altered irrevocably.
Loviers City believes that cleanliness leads to Godliness. But order quickly descends into chaos when a sighting of the Virgin occurs. Soon, thousands arrive to visit the spot where She appeared. But the pilgrims leave their mark, discarding refuse and besmirching Loviers City’s All-America vision. Suspense mounts as Rudy Squazza, the red-bearded ringleader of the homeless, and Jasmine, a rich teenager working on a high school project, fall in love. He is a dumpster diver and the victim of police brutality. She dresses in black leather, rides a red Ducati Supersport 750, and is known as the “Angel from Hell.” Equal parts sociological lore and screwball comedy, Dumpster, for God’s Sake bends reality into fiction in a uniquely American exploration of the passions that make us human. With compelling prose, canny insight, and artful empathy, Ben Stoltzfus brilliantly examines group behavior in a timely tale of collective zeal and righteous intent that explores a city’s urgent quest for soul.
With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of ...
The Present Book Is An In-Depth Critical Study Of The Modern American Classic, Ernest Hemingway S The Old Man And The Sea, Which Won The Pulitzer Prize In 1952 And The Nobel Prize In 1954.This Study, While Keeping The Novel Under The Critical Lens, Examines It Against The Backdrop Of Hemingway S Aesthetic Convictions And Overall Literary Achievement. It Throws Light On The Various Dimensions Of Not Only The Novel But Hemingway S Craftsmanship Like His Use Of Suggestion And Symbolism, His Inimitable Style, His Manipulation Of Narrative Perspective, And The Way He Projects His Philosophical Theme Of The Ephemeral Versus The Everlasting, Which Is Dramatized In The Old Man And The Sea.The Present Book Will Definitely Prove Useful To Students, Researchers As Well As Teachers Of English Literature Interested In The Study Of Hemingway And His Works.
Winner of the 1997 Gradiva Award for Best Book (Cultural Arts Related) awarded by the National Association for the Advancement of Psychoanalysis (NAAP) Using Lacanian psychoanalytic theory in order to uncover the relationship between literature, reading, and the unconscious, this book argues for a special affinity between a text and its reader. This process strives to unveil the disguises of tropic language in order to generate manifest meaning from latent content. Focusing on five twentieth-century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet, this book shows how Freud's theories of condensation and displacement in dreams match Lacan's uses of metaphor and metonymy in language. Despite the different backgrounds of these authors from America, England, and France, the unifying theme is that the unconscious (because it is structured like language) is the voice of the (m)Other disguised in figurative language.
"In Hemingway and French Writers, Ben Stoltzfus illuminates the connections between Hemingway and the most important French intellectuals, such as Gustave Flaubert, Marcel Proust, Andre Gide, Jacques Lacan, Jean-Paul Sartre, Henry de Montherlant, Andre Malraux, and Albert Camus. A distinguished scholar of both French literature and Hemingway studies, Stoltzfus compares Hemingway's major works in chronological order, from The Sun Also Rises to The Old Man and the Sea, with novels by French writers."--From publisher description.
A study of Gustave Flaubert's Un coeur simple (A simple heart) originally written in 1876 and published in 1877.
"Stoltzfus's essay discusses Johns's art and Robbe-Grillet's metafiction in a postmodern context. Both men subvert cultural stereotypes and realism in art. Their works are self-reflexive and they call attention to themselves and to the language of art. Autopoiesis, that is, the internal recursive loops of the system - the artwork - is one of the many features that they share. In addressing these features the essay deals with chaos theory, strange attractors, psychoanalysis, play theory, the role of the observer(s), and the social function of art." "An appendix to the book describes the rings of Johns's Target and their relationship to the nine objects and nine numbers that Robbe-Grillet assigns to them."--BOOK JACKET.
At the Blue Bell Amish School, fourteen-year-old Amelia Stoltzfus has been asked by her teacher, Miss Horning, to stay after school. It's an unusual request, and she's felt edgy and fearful all day long. Worse, Miss Horning has been acting peculiar. Miss Horning asks Amelia to be a substitute teach while she leaves for a month to take care of her ailing mother. After much consideration, Amelia agrees, but she still wonders why Miss Horning is beings so fidgety. By the time she starts making her way home, it's dark out, and Amelia feels nervous and fearful. Footsteps begin following her. Suddenly, she's struck from behind and slumps to the ground. At Amelia's home, her parents, Ben and Elizabeth, are deeply worried. Amelia should have returned from school long before now. They start searching for her, and they soon discover that Miss Horning is missing, too. Neighbors, friends, and even the state police come to help. But there is also a silent, sullen stranger who lends a hand. Is he somehow connected to the disappearances? As events begin to unfold and dark secrets come to light, it becomes clear that the Amish community and their neighbors worked together to help those in need.