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Dumpster, for God's Sake
Loviers City believes that cleanliness leads to Godliness. But order quickly descends into chaos when a sighting of the Virgin occurs. Soon, thousands arrive to visit the spot where She appeared. But the pilgrims leave their mark, discarding refuse and besmirching Loviers City’s All-America vision. Suspense mounts as Rudy Squazza, the red-bearded ringleader of the homeless, and Jasmine, a rich teenager working on a high school project, fall in love. He is a dumpster diver and the victim of police brutality. She dresses in black leather, rides a red Ducati Supersport 750, and is known as the “Angel from Hell.” Equal parts sociological lore and screwball comedy, Dumpster, for God’s Sake bends reality into fiction in a uniquely American exploration of the passions that make us human. With compelling prose, canny insight, and artful empathy, Ben Stoltzfus brilliantly examines group behavior in a timely tale of collective zeal and righteous intent that explores a city’s urgent quest for soul.
Falling and Other Stories
A novella and six short fictions, is by turn mythic and realistic, moving and wistful, innovative and traditional. It maps a wide geography of human emotions: lust, adventure, love, alienation, explicit violence and implicit passion. Ben Stoltzfus makes each character--a glamour girl, a scuba queen, a shaman, a mountain climber, a skier, a ball-court superstar, women in distress, even strangers--come vividly alive. In "Falling" you, the narrator, climb toward the summit with Juan, your friend, following flashbacks in the narrative trail. In "The Bank," a father and son come to terms with a lifetime of estrangement. In "Glamour Girl," a woman reminisces about her husbands, rich people, Joe Lo...
Lacan and Literature
Winner of the 1997 Gradiva Award for Best Book (Cultural Arts Related) awarded by the National Association for the Advancement of Psychoanalysis (NAAP) Using Lacanian psychoanalytic theory in order to uncover the relationship between literature, reading, and the unconscious, this book argues for a special affinity between a text and its reader. This process strives to unveil the disguises of tropic language in order to generate manifest meaning from latent content. Focusing on five twentieth-century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet, this book shows how Freud's theories of condensation and displacement in dreams match Lacan's uses of metaphor and metonymy in language. Despite the different backgrounds of these authors from America, England, and France, the unifying theme is that the unconscious (because it is structured like language) is the voice of the (m)Other disguised in figurative language.
Black Lazarus
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Hemingway and French Writers
"In Hemingway and French Writers, Ben Stoltzfus illuminates the connections between Hemingway and the most important French intellectuals, such as Gustave Flaubert, Marcel Proust, Andre Gide, Jacques Lacan, Jean-Paul Sartre, Henry de Montherlant, Andre Malraux, and Albert Camus. A distinguished scholar of both French literature and Hemingway studies, Stoltzfus compares Hemingway's major works in chronological order, from The Sun Also Rises to The Old Man and the Sea, with novels by French writers."--From publisher description.
D.H. Lawrence’s Final Fictions
D.H. Lawrence’s Final Fictions: A Lacanian Perspective shows how Lawrence and Lacan can change beliefs and practices, oppose the Anthropocene, and restore cosmic balance. Stoltzfus brings literature and psychoanalysis together in readings that are both aesthetic and epistemological.
Romoland
Romoland, a postmodern event conjoining feminist artist Judith Palmer and novelist Ben Stoltzfus, uses twenty-five art works as generative surfaces for a series of dialogues between a man and a woman. The images and the text explore the historical subjection of women by men, their deliverance through art, and the dismantling of cultural codes. Both texts foreground the voice of the Other as it manifests itself in the traces, lines, and cracks of speech—be they visual or verbal. The arabesques of the woman’s sensibilities oppose the squares of man’s authority. Her art speaks and his text sees. Together, they unveil another space between the pictures and the text—the body of bliss and equality—in a way that is ironic, comic, and playful.
Cat O'nine Tails
Fiction. CAT O' NINE TAILS consists of nine stories about cats and how cats have influenced certain characters. Although ostensibly about felines, the stories are also playful postmodern explorations of language, the creative process, images, sounds and cultural practices. The settings are international, and they range from California to New England, southern France, Istanbul and Cuba. The settings are as diverse as the stories. For example, "Chapeau" is a comic-erotic story about one woman who thinks she is the reincarnation of the Egyptian cat goddess Bastet, and because chat, in French, is the word for cat, and peau is the word for skin, the woman has a predilection for hats, mirrors and ...
Magritte and Literature
The Belgian surrealist artist René Magritte (1898–1967) is well known for his thought-provoking and witty images that challenge the observer’s preconditioned perceptions of reality. Magritte and Literature examines some of the artist's major paintings whose titles were influenced by and related to works of literature. Baudelaire's The Flowers of Evil, Goethe's Elective Affinities, and Poe's The Domain of Arnheimare representative examples of Magritte's interarts dialog with literary figures. Despite these convergences the titles subvert the images in his paintings. It is the two images together, the image in the painting and the image in the title, that expresses the aesthetics of Surre...
The Target
The Target is a two-part interarts study of Jasper Johns and Alain Robbe-Grillet. Stoltzfuss' translation of Robbe-Grillet's introduction in the catalogue to John's 1978 Pompidou show in Paris is followed by an essay comparing the works of the American Pop artist and the French new novelist and cinematographer. Fifty-eight illustrations (eight in color) from the show accompany the translation because these art works generated Robbe-Grillet's text, also entitled 'The Target.' Stoltzfuss' essay discusses Johns' art and Robbe-Grillet's metafiction in a postmodern context. Both men subvert cultural stereotypes and realism in art. Their works are self-reflexive and they call attention to themselv...
