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Elaborates the relationship between the philosopher Friedrich Nietzsche (1844-1900) and the cultural critic Walter Benjamin (1892-1940) through close readings of their respective texts as an example of the precariousness of cultural transmission in the present.
Kierkegaard's relation to the field of philosophy is a particularly complex and disputed one. He rejected the model of philosophical inquiry that was mainstream in his day and was careful to have his pseudonymous authors repeatedly disassociate themselves from philosophy. But although it seems clear that Kierkegaard never regarded himself as a philosopher, there can be no doubt that his writings contain philosophical ideas and insights and have been profoundly influential in a number of different philosophical traditions. The present volume documents these different traditions of the philosophical reception of Kierkegaard's thought. The articles featured here demonstrate the vast reach of Ki...
Knowledge of German literature is frequently based on the hundreds of general histories of German literature that have been published since the genre first appeared at the beginning of the nineteenth century. In A History of Histories of German Literature Michael Batts attempts to describe the various forms which these histories took between 1835 and 1914, not only in Germany but in other countries, and show how these forms developed.
Mendelssohn and the Organ is the first comprehensive historical-critical study in any language to examine the role of the organ in Mendelssohn's personal and professional career. It examines his entire oeuvre for the instrument, including the Berlin-Krakow manuscripts, and presents for the first time Mendelssohn's complete correspondence with his English publisher, Charles Coventry.
This provocative book addresses one of the central and most controversial branches of Western thought: the philosophy of origin. In light of recent poststructuralist principles such as alterity, différance, and dissemination, the philosophy of origin seems to exemplify the repressive, reactionary tendencies of much of the Western philosophical tradition. John Pizer aims to overturn this recent antipathy to the philosophy of origin. He ably summarizes poststructuralist critiques of that earlier philosophical tradition, then turns to five German thinkers (Nietzsche, Benjamin, Rosenzweig, Heidegger, and Adorno) who developed philosophies of origin that effectively anticipate and counter postst...
Assesses linguistic versus aesthetic visions of critical theory and their capacity to contribute to the analysis of contemporary democratic society.
The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual. Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments ...
The present study, for the first time, provides a comparative analysis of the objections raised against Christianity by late antique pagan philosophers (esp. Celsus in Alethes logos, Porphyry in Contra Christianos, and Julian the Apostate in Contra Gali-laeos) and Enlightenment philosophers and freethinkers and examines the impact of pagan thinking on the critique of Christianity in the 16th to 18th centuries – in particular, on discussions concerning the authority of the Bible, biblical exegesis, the Christian concept of faith, religious coercion and the uniformity of faith, the belief in miracles, and the Christ-ian understanding of morality.
A leading theorist on literature and media reveals a new and productive aspect of Benjamin’s thought by focusing on the critical suffix “-ability” that Benjamin so tellingly deploys in his work. The result is an illuminating perspective on Benjamin’s thought by way of his language.
If catastrophes are, by definition, exceptional events of such magnitude that worlds and lives are dramatically overturned, the question of timing would pose a seemingly straightforward, if not redundant question. The Time of Catastrophe demonstrates the analytic productiveness of this question, arguing that there is much to be gained by interrogating the temporal conceits of conventional understandings of catastrophe and the catastrophic. Bringing together a distinguished, interdisciplinary group of scholars, the book develops a critical language for examining 'catastrophic time', recognizing the central importance of, and offering a set of frameworks for, examining the alluring and elusive qualities of catastrophe. Framed around the ideas of Agamben, Kant and Benjamin, and drawing on philosophy, history, law, political science, anthropology and the arts, this volume seeks to demonstrate how the question of 'catastrophic time' is in fact a question about something much more than the frequency of disasters in our so-called 'Age of Catastrophe'.