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Narrativizing Theories
Ours is an age of offense, a time of reactionary shock--always received, never given. Ours is an age that has forgone cultural narratives, a time of individualism--wherein personal identities trump the collective spirit. Ours is an age of failing earth, a time of ecological collapse--yet the consumption of global capitalism continues to run amok. But don't fear. You have the correct worldview, the best solutions. It's not your fault these things are happening. It's the president's, the immigrant's, and the Islamicist's. Or perhaps It's the socialist's, the tree hugger's, and the baby killer's. But it's not your fault. Never yours. For the world exists as you see it--in an echo chamber lined ...
Through All the Plain
We kill. We come home. We move on. But the violence haunts. And then it questions. Was I justified in Iraq? Is there meaning in violence? For some, the answer comes easily. For others, one question leads to many--the answers seen through all the plain. Benjamin John Peters invites you to accompany him on his harrowing journey through Marine Corps Recruit Training, a violence-riddled Iraq, the questions and doubts of seminary, and the pursuit of reparations in Cambodia. Retold in poignant detail, Through All the Plain chronicles the difficulties of war, of coming home, and of searching for meaning in violence. Peters approaches this topic with both sensitivity and vulnerability in a book that is sure to provoke questions about the nature of faith, violence, and justice in a complex world.
Sigurd's Lament
In literature, the advice often given is to show and not tell. In academia, it is the opposite: tell and do not show. Sigurd’s Lament is a text that asks the question, can scholarship show rather than tell? On the surface, it is the collected work of a mid-twentieth-century scholar, Hawthorne Basil Peters, who has curated the life’s work of his father—the translation of a Welsh epic into the alliterative meter of the English Revival. The poem is produced in full, but so too is the historic introduction, commentary, and academic apparatus. Peters, for the first time, shares with the world his father’s wonderful translation and his previously unpublished academic ideas. In a text rife with distention, however, Peters draws the reader’s attention to the unexpected flexibility of language and asks only one thing in return: drink deeply. For Sigurd’s Lament is a text of the most serious play. It is ambiguous and obfuscating and riddled with footnotes that have lurking within them—like goblins in the weeds—future tales of past narratives.
Through All the Plain
We kill. We come home. We move on. But the violence haunts. And then it questions. Was I justified in Iraq? Is there meaning in violence? For some, the answer comes easily. For others, one question leads to many--the answers seen through all the plain. Benjamin John Peters invites you to accompany him on his harrowing journey through Marine Corps Recruit Training, a violence-riddled Iraq, the questions and doubts of seminary, and the pursuit of reparations in Cambodia. Retold in poignant detail, Through All the Plain chronicles the difficulties of war, of coming home, and of searching for meaning in violence. Peters approaches this topic with both sensitivity and vulnerability in a book that is sure to provoke questions about the nature of faith, violence, and justice in a complex world.
Sigurd’s Lament
In literature, the advice often given is to show and not tell. In academia, it is the opposite: tell and do not show. Sigurd's Lament is a text that asks the question, can scholarship show rather than tell? On the surface, it is the collected work of a mid-twentieth-century scholar, Hawthorne Basil Peters, who has curated the life's work of his father--the translation of a Welsh epic into the alliterative meter of the English Revival. The poem is produced in full, but so too is the historic introduction, commentary, and academic apparatus. Peters, for the first time, shares with the world his father's wonderful translation and his previously unpublished academic ideas. In a text rife with distention, however, Peters draws the reader's attention to the unexpected flexibility of language and asks only one thing in return: drink deeply. For Sigurd's Lament is a text of the most serious play. It is ambiguous and obfuscating and riddled with footnotes that have lurking within them--like goblins in the weeds--future tales of past narratives.
How Not to Network a Nation
How, despite thirty years of effort, Soviet attempts to build a national computer network were undone by socialists who seemed to behave like capitalists. Between 1959 and 1989, Soviet scientists and officials made numerous attempts to network their nation—to construct a nationwide computer network. None of these attempts succeeded, and the enterprise had been abandoned by the time the Soviet Union fell apart. Meanwhile, ARPANET, the American precursor to the Internet, went online in 1969. Why did the Soviet network, with top-level scientists and patriotic incentives, fail while the American network succeeded? In How Not to Network a Nation, Benjamin Peters reverses the usual cold war dual...
The London Gazette
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The Image in Dispute
Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise i...
