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The Purāṇas
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Imagining the Fetus
In contemporary Western culture, the word "fetus" introduces either a political subject or a literal, medicalized entity. Neither of these frameworks does justice to the vast array of religious literature and oral traditions from cultures around the world in which the fetus emerges as a powerful symbol or metaphor. This volume presents essays that explore the depiction of the fetus in the world's major religious traditions, finding some striking commonalities as well as intriguing differences. Among the themes that emerge is the tendency to conceive of the fetus as somehow independent of the mother's body — as in the case of the Buddha, who is described as inhabiting a palace while gestating in the womb. On the other hand, the fetus can also symbolically represent profound human needs and emotions, such as the universal experience of vulnerability. The authors note how the advent of the fetal sonogram has transformed how people everywhere imagine the unborn today, giving rise to a narrow range of decidedly literal questions about personhood, gender, and disability.
The Divine Consort
Papers presented at a conference held June 1978 at Harvard University, sponsored by the Center for the Study of World Religions.
Stitches on Time
DIVA critical analysis of histories and anthropologies of South Asia, seen in relation to the subaltern studies project, and several examples of how colonial history might be done differently./div
Epic Undertakings
Recent years have witnessed continued and growing interest in the massive and fascinating poems we know as the Sanskrit epics. This interest has manifested itself in the continuing translations of texts, a steady stream of publications and numerous scholarly meeting of Sanskrit epic scholars. A number of these scholars assembled in Helsinki to constitute the Epic Section of the 12th World Sanskrit Conference in the summer of 2003. The present volume places before the indological community the sixteen learned papers presented at the conference by the distinguished group of scholars who were in attendance. The topics and methodologies of the authors are as varied and diverse as the contents of the monumental poems themselves but each contribution sheds new light on some aspect of he genetic and /or receptive history of these works, their relationship to each other and to other index texts, or the representation and analysis of specific characters and episodes in the poems
Love Divine
Explores the nature and function of bhakti or devotional involvement in religious practice in India in areas where it is seldom sought or where its existence has been doubted or even denied.
Seer of the Fifth Veda
Authorship of the great sanskrit language epic poem of India, the Mahabharat, is attributed to the sage krsna Dvaipayana Vyasa. This study focuseson the depictionof vyasa in the Mahabharata, where he is an important character in the tale he is credited, with composing. The interpretation of vyasa is enriched by the different perspectives provided by other literature, including dramas, Jataka tales, Arthasastra, and Puranas.
Krsna: Lord or Avatara?
This is a study of three Sanskrit texts, the Harivamsa, the Visnupurana, and the Bhagavatabelonging to the puranic genre, the chief source of knowledge of the origins of popular Hinduism. It treats them as integrated compositions and displays the theological motives and creative skill which have gone into the making of them. It shows how all three texts contain narratives which present Krishna as one of several subordinate manifestations (avataras) of Vishnu. All three use much the same traditional material, yet each, by arranging this material in its own way, presents a distinctive view of Krishna, and the most influential of them, the Bhagavata , builds up a world view in which Krishna, not Vishnu, is supreme.
Alternative Krishnas
Krishna—widely venerated and adored in the Hindu tradition—is a deity of many aspects. An ancient manifestation of the Supreme God Vishnu, or the Godhead itself, Krishna is the bringer of Yoga philosophy and the creator of the universe, the destroyer of evil tyrants, and the hero of the epic Mahabharata. He is also described in classical Sanskrit texts as having human characteristics and enjoying very human pursuits: Krishna is the butter thief, cowherd, philanderer, and flute player. Yet even these playful depictions are based upon descriptions found in the Sanskrit canon, and mostly reflect familiar, classical Pan-Indian images. In this book, contributors examine the alternative, or un...
Krishna, Lord Or Avatara?
This book examines three of the Sanskrit texts belonging to the puranic genre, the chief source of knowledge of the origins of popular Hinduism, displaying the theological motives and creative skill which have gone into the making of them.
