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Fight to Live, Live to Fight Veteran Activism after War
Examines US foreign and domestic policy through the narratives of post-9/11 US military veterans and the activism they are engaged in. While veterans are often cast as a “problem” for society, Fight to Live, Live to Fight challenges this view by focusing on the progressive, positive, and productive activism that veterans engage in. Benjamin Schrader weaves his own experiences as a former member of the American military and then as a member of the activist community with the stories of other veteran activists he has encountered across the United States. An accessible blend of political theory, international relations, and American politics, this book critically examines US foreign and dom...
The Big Smoke
'Unlike in Europe, North America, Australia and elsewhere, urban history has never been sustained as a distinct field of scholarship in New Zealand. This is surprising, considering that since the early twentieth century most New Zealanders have lived in towns and cities – 86 per cent were urban in 2014. Yet we know surprisingly little about these urban dwellers and the spaces in which they lived.' The pursuit of city life is one of the most important untold stories of New Zealand. The Big Smoke is the first comprehensive history to tell this story, presenting a dynamic and highly illustrated account of city life from 1840 to 1920. It explores such questions as: what did cities look like an...
We Call it Home
We Call It Home begins in the 19th century, when the private sector failed to provide affordable housing for the poor. This led the Liberal government to build the first state houses in 1905: workers' dwellings. It moves on to examine the state house styles -- the archetypal state house of the first Labour Government is well known, but this wasn't the only kind of state house. Schrader asks why the government seemed so keen on housing nuclear families at the expense of other family groups, and through his interviews finds out who did the chores, what they ate, and what they did together, and charts the changing structure of state house families. Finally, Schrader looks at the changing public perceptions of state housing. In the 1930s securing a state house was viewed as a 'step up', but by the 1970s it had come to be seen as a 'step down'. Why the change? It is the author's hope that We Call It Home " ... will give readers a greater understanding of the ways in which state housing has affected the lives of generations of Kiwis, and of the important role it has played in shaping New Zealand society."
Fight to Live, Live to Fight
While veterans are often cast as a "problem" for society, Fight to Live, Live to Fight challenges this view by focusing on the progressive, positive, and productive activism that veterans engage in. Benjamin Schrader weaves his own experiences as a former member of the American military and then as a member of the activist community with the stories of other veteran activists he has encountered across the United States. An accessible blend of political theory, international relations, and American politics, this book critically examines US foreign and domestic policy through the narratives of post-9/11 military veterans who have turned to activism after having exited the military. Veterans are involved in a wide array of activism, including but not limited to antiwar, economic justice, sexual violence prevention, immigration issues, and veteran healing through art. This is an accessible, captivating, and engaging work that may be read and appreciated not just by scholars, but also students and the wider public.
Green Card Soldier
An in-depth and troubling look at a little-known group of immigrants—non-citizen soldiers who enlist in the US military. While the popular image of the US military is one of citizen soldiers protecting their country, the reality is that nearly 5 percent of all first-time military recruits are noncitizens. Their reasons for enlisting are myriad, but many are motivated by the hope of gaining citizenship in return for their service. In Green Card Soldier, Sofya Aptekar talks to more than seventy noncitizen soldiers from twenty-three countries, including some who were displaced by conflict after the US military entered their homeland. She identifies a disturbing pattern: the US military’s in...
The London Gazette
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Project(ing) Human: Representations of Disability in Science Fiction
This edited volume examines representations of disability within popular science fiction, using examples from television, film, literature, and gaming to explore how the genre of science fiction shapes cultural understanding of disability experience. Science fiction texts typically grapple with concepts such as transhumanism, embodiment, and autonomy more directly than do those of other genres. In doing so, they raise significant questions about the experience of disability. More broadly, they often convey the place of disability in not only the future but also the world of today. Through critical research, the chapters within this interdisciplinary collection explore what science fiction te...
Transcendental Style in Film
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
