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Nehru
Connecting the domestic and international aspects of Nehru's political and ideological life, this engaging new biography places Nehru in the context of the issues of his time and dispels many myths surrounding the figure.
Talking Turkeys
A reissue of TALKING TURKEYS by street poet Benjamin Zephaniah. Talking Turkeys is an unconventional collection of straight-talking poems about heroes, revolutions, racism, love and animal rights, among other subjects, that will entice many new readers to poetry. It is his very first ground-breaking children's poetry collection - playful, clever and provocative - this is performance poetry on the page at its very best. Benjamin Zephaniah was born in Birmingham and then spent some of his early years in Jamaica. He came to London when he was 22 and his first book of poetry for adults was published soon after. He appears regularly on radio and TV including a Desert Island Discs appearance, lite...
Refugee Boy
An eye for an eye. It's very simple. You choose your homeland like a hyena picking and choosing where he steals his next meal from. Scavenger. Yes you grovel to the feet of Mengistu and when his people spit at you and kick you from the bowl you scuttle across the border. Scavenger. As a violent civil war rages back home in Ethiopia, teenager Alem and his father are in a bed and breakfast in Berkshire. It's his best holiday ever. The next morning his father is gone and has left a note explaining that he and his mother want to protect Alem from the war. This strange grey country of England is now his home. On his own, and in the hands of the social services and the Refugee Council, Alem lives ...
After the Last Post
This book is about the production and consumption of history, themes that have gained in importance since the discipline's attempts to disavow its own authority with the ascendancy of postmodern and postcolonial perspectives. Several parallel themes crosscut the book’s central focus on the discipline of history: its intellectual history, its historiography, and its connection to memory, particularly in relation to the need to establish the collective identity of ‘nation’, ‘community’ or state through a memorialisation process that has much to do with history, or at least with claiming a historicity for collective memory. None of this can be undertaken without an understanding of the roles that history-writing and history-reading have been made to perform in public debates, or perhaps more accurately in public disputes. The book addresses a discomfort with postcolonial theories in and as history. Following are essays that examine the state of the discipline, the art of reading and using archives, practices of tracking the history of ideas, and the themes of history, memory and identity.
Developing India
This book deals with the concept of the term 'development' in circa 1930-50. It is about the intellectual history in this formative period when developmental goals were set.
Playing the Nation Game
In this study, Benjamin Zachariah questions the tendency to regard nationalism as a necessary, inevitable and natural basis upon which to organise the world. In doing so, he embarks on a series of reflections on a longstanding project in Indian historiography which has until today not reached successful resolution: that of "decentring" the nation as the central focus of history-writing in and about India. This outstanding collection presents essays held together with one common thread: a concern with writing histories of India that cannot be subsumed within a bland and obligatory history of Indian nationalism, and a concern with not writing histories of nationalism while writing histories of absolutely anything or everything. Claiming to speak from the perspective of internationalism and celebrating the rootless cosmopolitanism of the merely human, Benjamin Zachariah urges historians to begin the completion of this incomplete yet necessary "decentring" project by placing their own histories, politics, and "interests" before a readership and leaving these open for scrutiny and comment.
People Need People
To walk to To talk to To cry and rely on, People will always need people . . . From the creators of Nature Trail comes an uplifting picture book about the power of people, and the importance of connecting with others. This timely poem reminds us all to be kind to one another. Written by legendary poet, Benjamin Zephaniah, one of The Times' top 50 British post-war writers. Beautifully illustrated by Nila Aye. Praise for Nature Trail: A joy to read with small children - Independent
After the Last Post
This book is about the production and consumption of history, themes that have gained in importance since the discipline's attempts to disavow its own authority with the ascendancy of postmodern and postcolonial perspectives. Several parallel themes crosscut the book’s central focus on the discipline of history: its intellectual history, its historiography, and its connection to memory, particularly in relation to the need to establish the collective identity of ‘nation’, ‘community’ or state through a memorialisation process that has much to do with history, or at least with claiming a historicity for collective memory. None of this can be undertaken without an understanding of the roles that history-writing and history-reading have been made to perform in public debates, or perhaps more accurately in public disputes. The book addresses a discomfort with postcolonial theories in and as history. Following are essays that examine the state of the discipline, the art of reading and using archives, practices of tracking the history of ideas, and the themes of history, memory and identity.
The Life and Rhymes of Benjamin Zephaniah
*BBC Radio 4 Book of the Week* Benjamin Zephaniah, who has travelled the world for his art and his humanitarianism, now tells the one story that encompasses it all: the story of his life. In the early 1980s when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin’s poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere, and to popularise it by reaching people who didn’t read books. His poetry was political, musical, radical and relevant. By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one yea...
