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GeoHumanidades
"Por demasiado tiempo, para muchos de nosotros, sobre todo en Occidente, el mundo ha sido demasiado humano. Tenemos la necesidad de aprender de otros entornos basados en relaciones distintas a la división entre naturaleza y cultura, para así forjar imaginarios que nos ayuden en la tarea de estar compenetrados con el mundo” (Harriet Hawkins)
The Primacy of Movement
This expanded second edition carries forward the initial insights into the biological and existential significances of animation by taking contemporary research findings in cognitive science and philosophy and in neuroscience into critical and constructive account. It first takes affectivity as its focal point, elucidating it within both an enactive and qualitative affective-kinetic dynamic. It follows through with a thoroughgoing interdisciplinary inquiry into movement from three perspectives: mind, brain, and the conceptually reciprocal realities of receptivity and responsivity as set forth in phenomenology and evolutionary biology, respectively. It ends with a substantive afterword on kinesthesia, pointing up the incontrovertible significance of the faculty to cognition and affectivity. Series A
Bulletin
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Bulletin
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Mayan Drifter
In a variety of narrative voices, poems, and a play, set at different times in history, the author presents a journey to the Maya Lowlands of Chiapas on a quest for his Indio heritage and a vision of the multicultured identity emerging in America, envisioning the disappearance of borders and evoking a fluid American self that needs no fixed identity or location.
Mechanical Alloying And Milling
This book surveys the broad field of mechanical alloying from a scientific and technological perspective to form a timely and comprehensive resource valuable to both students and researchers. The treatment progresses from the historical background through a description of the process, the different metastable effects produced, and the mechanisms of
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
