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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Vor dem Hintergrund einschlägiger literatur- und kulturwissenschaftlicher Theorien und Forschungsdebatten geht dieser Band systematisch den Autor- und Körperinszenierungen in zwei prominenten erzählenden Dichtungen des Mittelalters nach. Er erschließt auf diesem Wege die den Werken eingeschriebenen Äußerungsformen von Subjektivität, die gemeinhin als Charakteristikum neuzeitlicher Literatur gilt. Ausgangspunkt ist dabei die Frage nach der Disposition eines Ich in mittelalterlicher Dichtung, das explizit auf sich selbst mit >seinemseinen
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres ...
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
A study of the discourse of gender in 16th-century German popular literature.Writers of sixteenth-century German popular literature took great interest in describing, debating, commenting on, and prescribing gender roles, and discourses of gender can be traced in texts of all kinds from this period. This book focuses on popular works by Georg Wickram, Jakob Frey, Martin Montanus, and Johann Fischart, all of whom published novels, joke books, plays and/or moral treatises on marriage and family life in Strasbourg in the sixteenth century. Their works express not only their own ideas on women's roles as wives and mothers, but also societal values at a time of religious, political, and cultural ...
German poet Friedrich Ruckert's (1788-1866) youngest children died of scarlet fever, the pandemic of his age. Over a six month period in 1834, he wrote hundreds of laments that were published posthumously in the classic poetry collection Kindertotenlieder. Here in English for the first time, these evocative modern translations by a fellow bereaved father reveal "an honest grappling with grief" (The Christian Century). Each poem is accompanied by insights into the bereaved, along with personal anecdotes, historical and cultural information, the latest research on grief, and discussions of literary and biblical allusions.
Uroscopy - the diagnosis of disease by visual examination of the urine - played a very prominent role in early modern medical practice and in the lives of ordinary people. Widely considered as the most reliable way to diagnose diseases and pregnancies it was taught at the best universities. Leading physicians prided themselves on their mastery in this field. Countless medical writings were dedicated to uroscopy and artists represented it in hundreds of illustrations and paintings. Based on a wide range of textual and visual sources, such as autobiographies, court records, medical treatises and genre painting, this book offers the first comprehensive study of the place of uroscopy in early modern medicine, culture and society and of the - gradually changing - ways in which medical practitioners, lay persons and, last but not least, artists perceived and used it.
A new view of King Rother in which not only the wooer but also his bride-to-be enacts a quest.
Envisioned as a tribe of ruddy-faced, redheaded, red-bearded Jewish warriors, bedecked in red attire who purportedly resided in isolation at the fringes of the known world, the Red Jews are a legendary people who populated a shared Jewish-Christian imagination. But in fact the red variant of the Ten Lost Tribes of Israel is a singular invention of late medieval vernacular culture in Germany. This idiosyncratic figure, together with the peculiar term "Red Jews," existed solely in German and Yiddish, the German-Jewish vernacular. These two language communities assessed the Red Jews differently and contested their significance, which is to say, they viewed them in different shades of red. The v...
Focusing on a broad range of texts from England, France, Germany, and Italy -- conduct and courtesy books, advice poems, devotional literature, trial records -- the contributors to Medieval Conduct draw attention to the diverse ways in which readers of this literature could interpret such behavioral guides, appropriating them to their own ends. Medieval Conduct expands the concept of conduct to include historicized practices, and theorizes the connection between texts and their concrete social uses; what emerges is a nuanced interpretation of the role of gender and class inscribed in such texts. By bringing to light these subtleties and complexities, the authors also reveal the ways in which the assumptions of literary history have shaped our reception of such texts in the past two centuries.