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Semiotics of Musical Time
Semiotics of Musical Time investigates the link between musical time and the world of signs and symbols. It examines the extent to which musical time is a product of signs, sign systems, and sign-oriented behavior. Sound is discussed as a potential sign of time and of musical time. Inherent and recognizable temporal features are identified in a number of musical works. Time as a compositional concern is examined in the case of Igor Stravinsky and Karlheinz Stockhausen. A principal distinction between hearing associated with perception and listening associated with cognition provides the basis for the proposition that musical time is both unheard and imperceptible. The role of concepts, and their designations, is investigated to demonstrate that consciousness of musical time involves semiotic processes.
Linguistic Interference and First-language Attrition
Studies on the interaction of languages are gaining importance in today's world, which is characterized by accelerated migration and increasing cultural exchange. In contrast to most research in this field, which concentrates on one embedded language against a matrix language, Gergely Tóth examines the linguistic behaviors in two immigrant speech communities, German and Hungarian, against the background of English. The results of linguistic interference and the ongoing attrition process in these communities are the main focus of this book. By offering a thorough description of linguistic, biographical, and sociolinguistic data spanning three generations in each community, and by contrasting the findings and the detailed error statistics yielded by 500 sentences from each of these two non-related embedded languages, this work contributes to our understanding of contact linguistic mechanisms and sheds light on specific grammatical and lexical features that are most prone to attritional forces. An in-depth historical portrayal of these two speech communities in San Francisco and a complete list of the 1,000 sentences with all identified speaker errors complement the volume.
Versatility in Versification
Versatility in Versification grew out of an international conference organized by the University of Iceland and the Nordic Society for Metrical Studies and held at Reykholt, Iceland, the thirteenth-century home of Snorri Sturluson. Although medieval Icelandic poetic culture was highlighted at the conference, the range of subjects remained diverse and discussion became dynamic. Similarly, this volume brings together the work of a broad range of scholars who embark on a discourse across disciplines, addressing aspects of poetry and poetics within the Germanic language family in particular. The subjects range from runic metrical inscriptions to literature and poetics of the modern day, the medi...
Semiotic Insights
This collection of articles by Irmengard Rauch provides a lucid narrative on the nature of semiotics and linguistics, revealing their symbiotic relationship through concrete, data-based application.
Applicative Arguments
Applicative Arguments: A Syntactic and Semantic Investigation of German and English presents formal semantic and syntactic analyses of German and English applicative arguments. Both German and English have several types of applicative arguments, including so-called benefactive and malefactive constructions.
Glocal English
Glocal English compares the usage patterns and stylistic conventions of the world’s two dominant native varieties of English (British and American English) with Nigerian English, which ranks as the English world’s fastest-growing non-native variety courtesy of the unrelenting ubiquity of the Nigerian (English-language) movie industry in Africa and the Black Atlantic Diaspora. Using contemporary examples from the mass media and the author’s rich experiential data, the book isolates the peculiar structural, grammatical, and stylistic characteristics of Nigerian English and shows its similarities as well as its often humorous differences with British and American English. Although Nigeria...
The English Gerund-participle
Original Scholarly Monograph
The Visual Grammar of Pablo Picasso
Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cézannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.
How America's First Settlers Invented Chattel Slavery
From New England and Virginia to New Spain and the current Southwest, North America's founding householders - English and Spanish alike - took the limited European practice of coerced labor and, over the course of two hundred years, transformed it into a depersonalized and brutal chattel slavery unlike anything that had existed in Europe. What system of language and logic, what visions of religious and civil society, allowed men who saw themselves both as Christians and cultured humanists to dehumanize and enslave people whose cultures and accomplishments were evident to nearly all? In this book we observe the progressive development of a mindset that allowed the settlers to see both Native Americans and Africans as others who did not merit human status.
