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Art in Mississippi, 1720-1980
In Art in Mississippi Patti Carr Black focuses on several hundred significant artists and showcases in full color the work of more than two hundred. Nationally acclaimed native Mississippians are hereGeorge Ohr, Walter Anderson, Marie Hull, Theora Hamblett, William Dunlap, Sam Gilliam, William Hollingsworth, Jr., Karl Wolfe, Mildred Nungester Wolfe, John McCrady, Ed McGowin, James Seawright, and many others. Prominent artists who lived or worked in the state for a significant period of time are included as well - John James Audubon, Louis Comfort Tiffany, George Caleb Bingham, William Aiken Walker, and more. Black explores how art reflects the land and how modes of living and values dictated by Mississippi's changing topography created a variety of art forms. She demonstrates the influence of Mississippi's diverse cultures upon the art and shows how it has responded in many forms - painting, architecture, sculpture, fine crafts - to the changing aesthetics of national art movements.
The Mississippi Story
The Mississippi Story invites readers to examine the connection between place and the visual arts of the state. Based on an exhibition from the permanent collection of the Mississippi Museum of Art, this book explores artwork produced within the state by artists who were native to or lived in Mississippi or by travelers who created work about the state. Patti Carr Black presents the overall theme of place in four sections: the influence of the land on the art, Mississippi's people as depicted in its art, life in Mississippi as observed by its artists, and the exporting of Mississippi culture through its artists. Numerous artists' biographies are included as well as more than one hundred full-color illustrations.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Count No 'Count
Coming home to Oxford, Mississippi, in 1918 after a stint in the Royal Flying Corps, young William Faulkner was arty and dandified. He sometimes was seen in his airman's uniform, and he affected English manners. His pose amused some of his townsmen, and joking behind his back, they called him “The Count” and “Count No 'Count.” During this period Ben Wasson met Faulkner at the University of Mississippi, where both were students. Their interest in art and literature drew them together. Later Wasson became Faulkner's first literary agent, as well as an adviser and sounding board. In New York Wasson edited a Faulkner manuscript into a readable length. It was published as Sartoris. Also, ...
The Tumultuous Fifties
A collection of two hundred duotone photographs from the "New York Times" which capture the spirit of the United States in the 1950s.
The Senator and the Sharecropper
In this fascinating study of race, politics, and economics in Mississippi, Chris Myers Asch tells the story of two extraordinary personalities--Fannie Lou Hamer and James O. Eastland--who represented deeply opposed sides of the civil rights movement. Both were from Sunflower County: Eastland was a wealthy white planter and one of the most powerful segregationists in the U.S. Senate, while Hamer, a sharecropper who grew up desperately poor just a few miles from the Eastland plantation, rose to become the spiritual leader of the Mississippi freedom struggle. Asch uses Hamer's and Eastland's entwined histories, set against the backdrop of Sunflower County's rise and fall as a center of cotton agriculture, to explore the county's changing social landscape during the mid-twentieth century and its persistence today as a land separate and unequal. Asch, who spent nearly a decade in Mississippi as an educator, offers a fresh look at the South's troubled ties to the cotton industry, the long struggle for civil rights, and unrelenting social and economic injustice through the eyes of two of the era's most important and intriguing figures.
Faulkner
William Faulkner (1897-1962) remains the pre-eminent literary chronicler of the American South and a giant of American arts and letters. Creatively obsessed with problems of race, identity, power, politics, and family dynamics, he wrote novels, stories, and lectures that continue to shape our understanding of the region's promises and problems. His experiments and inventions in form and style have influenced generations of writers. Originally published in 1974 as a two-volume edition and extensively updated and condensed in a 1991 reissue, Joseph Blotner's Faulkner: A Biography remains the quintessential resource on the Nobel laureate's life and work. The Chicago Tribune said, "This is an ov...
Beware of Limbo Dancers
This witty, wide-ranging memoir from Roy Reed--a native Arkansan who became a reporter for the New York Times--begins with tales of the writer's formative years growing up in Arkansas and the start of his career at the legendary Arkansas Gazette. Reed joined the New York Times in 1965 and was quickly thrust into the chaos of the Selma, Alabama, protest movement and the historical interracial march to Montgomery. His story then moves from days of racial violence to the political combat of Washington. Reed covered the Johnson White House and the early days of the Nixon administration as it wrestled with the competing demands of black voters and southern resistance to a new world. The memoir concludes with engaging postings from New Orleans and London and other travels of a reporter always on the lookout for new people, old ways, good company, and fresh outrages.
