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After a century of civil strife in Rome and Italy, the poet Virgil wrote "The Aeneid" to honor the emperor Augustus by praising Aeneas, Augustus's legendary ancestor. As a patriotic epic imitating Homer, "The Aeneid" also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he fell tragically in love with Queen Dido; to the underworld, in the company of the Sibyl of Cumae; and, finally, to Italy, where he founded Rome. It is a story of defeat and exile, and of love and war. Virgil's "Aeneid" is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling, and the force of fate. Filled with drama, passion, and the universal pathos that only a masterpiece can express. "The Aeneid" is a book for all the time and all people. This version of "The Aeneid" is the classic translation by John Dryden.
Explores the sophisticated ways in which medieval Castilian clerics and monarchs recreated stories set in the ancient, pagan past to shape cultural memory and monarchic culture in the Iberian kingdom.
Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
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Actes du colloque organisé par le CRLMC en 2004, ce volume aborde un des aspects les plus sombres de la vieillesse, celui de la dégradation physique synonyme de décrépitude, d'impotence, de maux divers et de l'altération des facultés mentales, telles que des écrivains aussi divers les considèrent et les représentent, et cela depuis l'Ecclésiaste, l'âge médiéval, jusqu'à Chamoiseau, Vergilio Ferreira et Romain Gary. Ces analyses qui font la belle part aux vieux libertins et aux vieilles courtisanes, sous les aspects les plus tragiques comme les plus grotesques, avec Constantin Théotokis, Oscar Wilde, Dickens, Jean-Luc Outers, Valle Inclán, Milosz, Nabokov, Arthur Schnitzler, Tanizaki, Kawabata, Gabriel Matzneff, Nabokov, entrent en dialogue avec des analyses sociologiques, des réflexions psychiatriques et des considérations médicales sur l'âge et la sexualité, à l'âge classique et à l'ère contemporaine. [Ed.].
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